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December 30, 2010 at 11:04 pm in reply to: Richard Strauss Duett-Concertino for Clarinet, Bassoon, Strings, and Harp AV 147 #148821
rosalind-beck
ParticipantClinton, thank you for so generously providing information regarding this work!
rosalind-beck
ParticipantLooks like it’s supposed to be a recording studio.
rosalind-beck
ParticipantI might be mistaken, but she appears to be an actress playing the role of a harpist.
rosalind-beck
ParticipantA judge, the pope, and a conductor are all bragging about the respect accorded them.
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ParticipantGood news:
December 10, 2010 at 11:59 pm in reply to: metronome with tempo range of at least 30 on the low end #148965rosalind-beck
ParticipantJerusha, my Boss Dr. Beat goes down to 30, but sometimes that still is not slow enough.
November 9, 2010 at 9:57 pm in reply to: Conrad Susa’s Carols & Lullabies/Christmas in the Southwest #145008rosalind-beck
ParticipantThanks for your advice, everyone!
rosalind-beck
ParticipantClinton, I appreciate your very helpful (as always) information.
rosalind-beck
ParticipantMr. S, I have nothing at all against the Erdeli edition except the appearance of the printed pages.
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ParticipantIan, I respectfully disagree.
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ParticipantDonna, I believe these are known as “frustration” dreams in “shrink” world, and they are shared by almost everyone in some form.
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ParticipantCatherine, yes.
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ParticipantThe last two pages of the final movement of the Sibelius Symphony No. 1. The part literally looks like wallpaper.rosalind-beck
ParticipantJennifer, I have been using Concedo guts in the fourth and fifth octaves on my 23 for a number of years.
rosalind-beck
ParticipantSaul, Beatrice Rose’s book “The Harp in the Orchestra” cites many of my personal pet peeves, with which Richard Strauss’ music abounds.
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