Loonatik

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Viewing 15 posts - 46 through 60 (of 69 total)
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  • in reply to: Fingertips vs nails in relation to hand technique #60452
    Loonatik
    Member

    It’s a matter of repertoire. There is no one better way.
    You can’t really play the classical harp pieces using fingernails without having the pieces sound strange. The only pieces that work are pieces which assumes the melody to be consistently played on the right (or left).

    Many times in the classical repertoire (in the bigger pieces) the left and right hand fingerings intertwine within the melody line and you can’t carry out the tone od the melody consistently if one hand is playing with the tips and the other playing on the nails…

    Also classical techniques like trills, large arpeggios, scales, harmonics are played on both hands. You can’t do all these with the fingertip/nail technique without having them sound really strange.

    in reply to: Pedal vs Lever dilemma #77655
    Loonatik
    Member

    Agree with Lyn.

    It really depends on what you want: lever or pedal, and going for it.

    Compromising a pedal harp and settling for lever harp will probably bring disappointments in the future, if the intention is to eventually play on a pedal harp. I did this long time ago, ended up having to buy a completely new set of music to play on a lever harp.

    Though both are harps, plucking on strings seems to be the only commonality. They are actually 2 different instruments with completely different repertoire.

    It’s like wanting to play an organ but settling for a piano – never works that way, even though they are both playing on keyboards.

    in reply to: Aoyama Harps #112137
    Loonatik
    Member

    i used to play on an aoyama monarch. the sound is bright, but the harp centre of balance is not that great… it tips over too easily. looks beautiful though, gilded in gold.

    Loonatik
    Member

    I own a Salvi, and they have wheels on them… Why do L&H harps come without wheels?

    in reply to: Impossible buzz #60384
    Loonatik
    Member

    there are many ways to stop a buzz… i encounter this problem myself once in a while and it seems not only you can work on placements, but also vary the hand position, or shape, or muffle in a couple of ways, or just change of fingering.

    maybe you want to post a clip of that section and see if anyone can help find a solution to it?

    in reply to: First tuning a new harp #77305
    Loonatik
    Member

    on my harp (or maybe on any harp) the strings on the upper registers are the ones requiring more frequent tuning. usually the gut strings in the middle register (of my harp) hold quite well.
    so maybe you could tune the middle registers with the tuner and tune by ear the rest on the upper until the upper strings tension stabilizes. it saves a lot of frustration having to retune all the time with a tuner… i guess its not a problem if you’re patient. for me it would just be eating up practice time.

    in reply to: Tightness below the thumb #60371
    Loonatik
    Member

    perhaps i should update. i videotaped and troubleshooted myself. i saw that it was a (very old) habit of mine that came back, and that’s about placements when playing arpeggios. fixed that and its fine now. 🙂

    in reply to: Pavane for a Dead Infant , Gabriel Faure #61787
    Loonatik
    Member

    Oh… i thought it was really a Pavane for a dead infant, which sounded quite morbid.

    in reply to: Tennis Elbow #60318
    Loonatik
    Member

    maybe you just need to get a teacher with a good eye to fix that french technique or return to a proper salzedo technique…?

    not sure if it’s the tension itself that’s causing the problem, to a certain extent you do require a certain amout of tension to get the right tone produced. it could be the ability to release tension after producing the notes…

    if you take a video and post it on youtube, maybe some of the experience harpists/teachers here can take a look and provide some feedback.

    in reply to: Strings for a tuned-down antique #76942
    Loonatik
    Member

    I am a guy with dark hair so I like it natural.

    It fits better to my home as well. I have bright parkett floors so the harp looks as if it “grew” out from the floor in my living room 🙂

    in reply to: Tuners! #76585
    Loonatik
    Member

    I use the korg as well without any pickup. It tunes everything pretty well except just the top 2 and bottom 2 strings. Top 2 are easy to be tuned by ear and the bottom 2 don’t disturb me that much so am happy with the korg.

    in reply to: Question about harmonics #60210
    Loonatik
    Member

    isn’t this the usual way of doing it?
    i do the same for both R and L…

    in reply to: Producing a good tone with bony fingers #60225
    Loonatik
    Member

    Hi Jennifer, I think we might share the same problem, with nails growing to the edge of the fingers. So my enemy in harp playing has been loud passages with fingerings like 4-4321 or fast arpeggio passages 123432 -123432 on the R.H.

    The “harsh” sound you mentioned, I would assume caused by the nail hitting same string as you pluck it?
    – if this is the case, then the fix is to have proper technique, which is a rounded position. I have a weak 3rd finger on my R.H. and with the “long” nail, thus less fleshy tip, a very bad combination… but if i do it 100% right, i.e. with strengh in the finger then i don’t get this extra “hit” by the nail.

    I really appreciate it if anyone has any other tips on fixing this… (or a way to cut back the nail to expose a more “fleshy” fingertip… 🙁

    in reply to: What’s on your music stand? (February 2013) #61505
    Loonatik
    Member
    in reply to: Question about harmonics #60199
    Loonatik
    Member

    Re: Regulation
    You might like to contact some harpists in Singapore/Malaysia to coordinate a service guy coming to regulate Salvi harps.
    Or simply fly Carl in… 🙂

Viewing 15 posts - 46 through 60 (of 69 total)