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Thanks, Sid.

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I agree, Andy, especially for a big pedal harp like this.

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You could always just drive down there, unpack the harp, take it home yourself (if you have a big enough car), and then let them deliver the empty box tomorrow!

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Kay,

We’re anxiously awaiting to hear from you today!!

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Hi Jer!

I did not actually ask that question, so I can’t say for sure that they are building everything from scratch at their factory.

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I’m the one that Andy’s referring to who asked L&H directly about this.

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Tim,

I can’t speak for Aoyama harps, because I’ve never seen or played one.

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Congratulations, Vince!!

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Guntram,

I’m not sure about “Celtic Christmas,” but I have her “Christmas Lullaby” CD right in front of me, and she used a Kortier 34-string acoustic-electric harp for that one.

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Dennis, if you will email me privately, I’ll give you some additional information about my experiences with the Crescendos.

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Dennis,

I’ve played both a Shamrock and a Crescendo 34, and the sound of the Crescendo 34 was much nicer to my ears.

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Maria,

I’ve worked with the Harp Connection for the last seven years, and I can guarantee you that they are a company with great integrity.

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Sidney, as Andy said, there are many people who prefer the sound of a pedal harp and are grateful to have lever harps that produce that sound.

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Perhaps the reason the market is flooded with them is because they are great harps.

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Jerusha, I agree with you.

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