Forum Replies Created
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angelica-vianna
ParticipantCatherine Rogers is absolutely right, bad regulation does not cause a string to be false, it only gives the wrong interval when pedals are changed. A false string is usually deformed wich causes bad overtones (not matching ones). It is very hard to identify by ear.
angelica-vianna
ParticipantWorked like a charm, thanks Hugh, your service is great to us all.
angelica-vianna
ParticipantI am having a hard time downloading the current issue from the site, my subscription is online only and I only see HC-subscribers link where it is required to place customer ID from subscription label, but I do not have a HC to check the label´ID nor have a customer ID sent by email.
I already sent 2 emails since thursday with no responses.
Does anybody with same type of subscription is having this problem?
any help would be great,
Thanks ,
Angelica.
angelica-vianna
Participantangelica-vianna
ParticipantMy only concern about blind players is that harps make our fingers skin thick and it might affect on the feeling, loosing a bit of the tact they need to read brile. Anyone has any insite about that?
angelica-vianna
ParticipantHi David,
Symphony of Psalms is on the
angelica-vianna
ParticipantA quem interessar participar de um f?rum brasileiro de harpistas:
http://www.harpa.us/forumos amigos latinos tamb?m est?o convidados a participar em espanhol ou ingl?s
angelica-vianna
ParticipantParaguayan harp is totaly different. The G strings are black. All strings are very close to each other and you play with fingernails.The realy bad thing about this harp is that there is no pedals or levers. So you are stuck with only one key. I?ve seen some paraguayan harps with levers addaped, but originaly the instrument does not carry any levers.
angelica-vianna
ParticipantVanderbilt has The Complete Renie Method (the two volumes combined in one translated to English) and it costs only $55.25
It is a great Method, I think all harpist should have it
angelica-vianna
ParticipantI have to desagree with you Kim about the flexible character of the Debussy’s Danses. As an impressionist all of its dinamics and rhythms are strickly written as they should sound. I am saying it because there is this common mistake musicians commit on playing Debussy as if he was a romantic composer.
Angelica.angelica-vianna
ParticipantI forgot to mention. She does not own an instrument and can’t rent one.
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