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- This topic has 3 replies, 3 voices, and was last updated 13 years, 2 months ago by
patricia-jaeger.
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July 14, 2013 at 11:31 pm #77037
Angela Biggs
MemberHello all,
While in Boston this weekend for a vocal pedagogy workshop, I’ve arranged for a (lever) harp lesson. I’m also going to have the chance to sit down at a pedal harp for the first time. I just want to learn how to operate the pedals.
Because I specifically want to learn the mechanics of pedal operation, I’m trying to go in already solid on the theoretical part. To this end, I’ve been sitting in a chair and moving my feet as I recite the pedal order. I’m finding that my feet are covering a semicircular path of about 20 inches in diameter. Is that about right, way too much, not enough?
I don’t want to inadvertently develop muscle memory that is completely out of whack with reality, but I will likely have only have one chance to absorb this information, and I want to make the most of it. I’m trying to go in with at least the beginnings of a connection between my brain and feet, so that I know roughly where to go for the correct pedals to set the harp in a particular key.
As always, thank you. 🙂
AngelaJuly 16, 2013 at 7:24 pm #77038Tacye
ParticipantThat is about right – my A and D are about 22 inches apart and the E maybe 6 inches forward of the A.
July 16, 2013 at 7:31 pm #77039Angela Biggs
MemberThank you, Tacye!
July 18, 2013 at 3:22 pm #77040patricia-jaeger
MemberIf you have a printed copy of the “circle of fifths” diagram, draw the harp “pedal diagram” symbol that pedal harpists know, next to all of the names of key signatures on that paper, beginning with middle C at the top and working your way down. Until you have your own or a rented pedal harp, those floor exercises you mentioned are also good, Try making seven banana-shaped pieces of cardboard (from empty cereal boxes or whatever you have), labeling each with a large letter name (C and F in red and black) and place them on the floor where your feet will go on real pedals eventually. As you practice studies or pieces that have a few accidentals within the music, say out loud the pedal change required, such as “B flat”, “G sharp,” ” D natural” and so on, as your foot moves onto the correct cardboard. These visual, physical, and aural clues will give your brain an advantage when you begin to use a harp with pedals more regularly.
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