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Retaining learnt pieces

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Home Forums Performing Retaining learnt pieces

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  • #62425
    aglaia-t
    Participant

    I’ve been playing the harp for a few years and have been asked to play in gigs and weddings once in a blue moon. I don’t, however, aspire to make a living out of playing Bridal March and Canon in D. What I really wish is to get into a masters program somewhere. Mind you, that might never happen because I’m quite old (old in music-school-applicant terms, not absolute terms). Until I get there I still have to rely on playing gigs and such to support myself. The problem is, I’m not a great sight reader nor am I the best at retaining past learned music. As you all know making mistakes in a contemporary piece is not the same as making a mistake in Bridal March in front of a crowd.

    So my question is, how do you keep your popular repertoires in shape while not stripping time away from learning actual harp repertoires that are good for paving the path of a music school? Is that attainable?

    Thanks!

    #62426
    Tacye
    Participant

    I don’t try to keep anything permanently in shape – every time I relearn it it comes back faster and sticks better. Work on sightreading – it is a great tool for saving practice time! Work chiefly on avoiding unacceptable mistakes, by which I mean hardly anyone will notice if you drop loads of notes so long as the melody line keeps going. On the same theory simple arrangements are more sightreadable.

    #62427
    Alison
    Participant

    I guess one has to divide one’s time between new works and familiar pieces. It seems to take quite an effort to reinstate a difficult piece, about 10-15 repetitions, instead of 4-5 times as I’d expect, and tripping up over bits I have played before so at first it’s worrying and I begin to think I’ll never get it sorted or that I’ll run out of time. Tacye’s right though, you can learn more subsequently, I guess because your aural memory is driving the process, your fingers basically know what to play and you can examine aspects more acutely, dynamics, tempo and articulation when you are refreshing a piece. Perhaps listening is easier 2nd or 3rd time around.

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