Hi Lynn, i am happy to find one of Mrs Sarah’s students here, but the descending melody can be heard by on accent on the last top note in the right as i know when i play arppegios both hands L.H 4 notes R.H 4 too the 7 notes go toward the last high 8 note, but maybe Britten add the accent in the high note in both hands for a reason he wanted or Mrs Sarah’s did that? the second bar the glissando ,thanks for explaining, but when we play the glissando from C the R.H down to the chord A.D.F.A do i need to play the whole notes of the chord or only the lowest A in her recording i didnt hear the whole chord played ?? i think this glissando from C down should be played not only R.H also L.H as the R.H cant go too down .
pedalization in bar 4 and 5 moving pedal D from b position to sharp directly
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