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Manx Music for Harp

$12.00

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Manx Music for Harp is a collection by Kathleen Blackwell-Plank that includes four traditional Manx arrangements for solo lever or pedal harp. The arrangements utilize the full range of the instrument and techniques such as pres de la table, harmonics, rolled chords, and glissandi. Chord symbols are provided and historical thumbnail sketches provide information on the background and performance of the songs. Scroll down for contents and more information on each song.

This collection is available as a PDF download for $12.00.

Pages to print: 19 pgs.

Duration: each piece is @ 3:00

Description

Manx Memory
There Was a Lady from the North
Let us magnify the Lord
Carval Jezebel

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Note from the arranger

“Manx Memory” is in Dorian mode (no sharps or flats) and utilizes arpeggios, occasional rolled chords, and glissandi. When Dr. John Clague wrote the tune in his manuscript book in 1893, he gave no title, informant, or place of collection. Blackwell-Plank has named the piece “Manx Memory” and her inventive arrangement is hauntingly beautiful. The inverted crescent symbol in measure 69 indicates a glissando played with the backs of the fingernails. The fingers of the right hand are curved back toward the player and the fingernails of the 2nd, 3rd, and 4th, fingers play the glissando creating a fluttering effect. The glissando in measure 70 is played in the usual fashion with the thumb of the right hand.

“There Was a Lady from the North” is in G minor (two flats) and utilizes occasional rolled chords and pres de la table (p.d.l.t. or playing near the soundboard).

“Let us magnify the Lord” is in A minor (no sharps or flats) and utilizes occasional rolled chords and pres de la table (p.d.l.t or playing near the soundboard). The left-hand melody in the misterioso section from the pick-up of measure 70 – 83 may be played as written or for those seeking a greater challenge, may be played down an octave utilizing left-hand harmonics.

A carval is a religious ballad sung at Oie’ll Verrey (Christmas Eve). They had many verses as the singer, holding a candle, began at the back of the church and took a step forward after each verse. The singing continued until the chancel steps were reached. Most were composed after the Bible was translated into Manx during the Methodist revival. Few carvals dealt with the nativity narrative but were drawn instead from stories throughout the Bible.

“Carval Jezebel” is in A minor (no sharps or flats) and utilizes occasional rolled chords and left-hand harmonics. This beautiful melody is one of the best known and earliest to be found in print. The Clague Collection: A Catalogue of Song and Tune Titles indicates that the melody was to the folk tune “The Farmer’s Daughter.”

Additional information

Instrumentation	Harp Solo
Genre	Folk-Traditional
Composer	Traditional
Artist	Blackwell-Plank, Kathleen
Level	Intermediate
Harp Type	Lever Harp
Nationality	Other European
Collection	Collection