Sophie Graf

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Viewing 10 posts - 1 through 10 (of 10 total)
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  • in reply to: Hidden Valley Harp Tuning Key #196271
    Sophie Graf
    Spectator

    The drum key works! Thank you!

    in reply to: Hidden Valley Harp Tuning Key #196094
    Sophie Graf
    Spectator

    Charles,

    It won’t fit at all. My harp is a mid-size lever harp, so it may not be the same as your situation. Actually though, even when I had the correct key there was one pin that that wouldn’t fit on!

     

    Biagio,

    The harp was made in 2005 so I don’t think age is the problem. I did think about the Dusty Strings Universal wrench but that is very expensive!

     

    Thank you both! I think I will try a drum key and if that doesn’t work it sounds like a tap wrench is the next option.

    in reply to: Hidden Valley Harp Tuning Key #196090
    Sophie Graf
    Spectator

    The tuning key was a black rubber T shape if that helps.

    in reply to: Hidden Valley Harp Tuning Key #196088
    Sophie Graf
    Spectator

    Thanks Charles. The pins are just slightly too big, so I’m guessing they’re the 0.210 size. Otherwise they seem quite similar to pedal harp tuning pins to me.

    in reply to: Strings for Hidden Valley Harp #196085
    Sophie Graf
    Spectator

    <span style=”font-family: ‘Open Sans’, Arial, sans-serif; font-size: 14px; line-height: 25.998px;”>I have a HVH Leprechaun and I recently lost the tuning key. It doesn’t seem to fit a standard size (pedal harp) tuning key. Does anyone know what kind of tuning key would work? Also, did they go out of business?</span>

    in reply to: What's your favorite seating for Ravel Introduction? #184281
    Sophie Graf
    Spectator

    I just played this at college. We started out sitting (left to right, from the audience’s perspective) violins, viola, cello, harp, clarinet, flute. My teacher had us change to violins, viola, cello, clarinet, flute, then harp (even with first violin). According to my group, this improved their ability to hear me. It certainly highlighted the concerto-like nature of the piece. My only complaint was that it was slightly more difficult to communicate with the rest of the ensemble through the strings, but as long as you can see the first violinist it should be fine.

    Although I did use music, in the future I would prefer to play it memorized. Again, this makes it a bit more like a concerto.

    in reply to: E.Deltour – Concertino in Jazz #144670
    Sophie Graf
    Spectator

    Amelia,

    Where did you find the harp part?? It sounds like an awesome piece.

    in reply to: Harp and Percussion? #61282
    Sophie Graf
    Spectator

    Thank you guys!! Katie – I ran across your website in my research. You do some awesome stuff! We ended up playing Robert Paterson’s Book of the Goddesses with a flautist but will definitely check out some of the music you’ve done if we get a chance to play together again. Thanks!

    in reply to: Harp and Percussion? #61279
    Sophie Graf
    Spectator

    Thanks!

    in reply to: Saint-Seans Fantaisie fingering #61228
    Sophie Graf
    Spectator

    I played that piece earlier this year but I did the cut to the last page… sorry I can’t help!

Viewing 10 posts - 1 through 10 (of 10 total)