[Jerusha Amado]

Saul,

I love your sense of humor!!

Jerusha

[Jerusha Amado]

The reason why the electric lever sounds like poison to your ears is that you’re comparing it to an acoustic harp.

[Jerusha Amado]

Thanks for writing, Deborah!

You know, I thought of you as a straight-ahead jazz musician with “Round the Corner” and then

[Jerusha Amado]

I love Carl’s La Scoula in

[Jerusha Amado]

Victor,

I love the look of the Salzedo and the Arianna, but another concert grand that looks beautiful to me is the Salvi Apollonia–gorgeous color to the wood and not too much in the way of gold decoration.

[Jerusha Amado]

Mr. Magen’s fingers appear to be very long and slender on the video.

[Jerusha Amado]

These are neat, Krieg!

[Jerusha Amado]

As far as the lever harp is concerned, I love the Thormahlen Cygnet, especially the graceful S curve in the neck!

Jerusha

[Jerusha Amado]

Tayce,

Isn’t the Clio a small double-action pedal harp?

Jerusha

[Jerusha Amado]

Tony and Evangeline,

I think you’ve confirmed what Carl was saying in his last E-mail–that Deborah was using a prototype or early generation Camac electroharp and that the bugs needed to be worked out at that time.

[Jerusha Amado]

Carl,

I have an electric lever harp which is used for performance up to four nights a week and haven’t had a technical problem with it.

[Jerusha Amado]

Jennifer,

I love my Thormahlen also, and agree with you that a lever-sized pedal would have to

[Jerusha Amado]

Interesting first post.

[Jerusha Amado]

Julienne,

The double strung harp sounds fascinating!

[Jerusha Amado]

“Also I don’t believe that lever harp should be confined to traditional music.

[Author]

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