balfour-knight

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Viewing 15 posts - 706 through 720 (of 1,493 total)
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  • in reply to: L&H Style 85 E vs. 85 CG #255735
    balfour-knight
    Participant

    Congratulations, Karen–how exciting! Are you still taking lessons and enjoying your Dusty?

    Best wishes,
    Balfour

    in reply to: I will be there – SELA #255591
    balfour-knight
    Participant

    Very nice to hear Davy again! We wish you all the best.
    Balfour and Carol Lynn

    in reply to: Broken tuning pin #255532
    balfour-knight
    Participant

    Have you guys thought about using a nice pair of vise-grip pliers to grab the end of that tuning pin, and then very carefully unwind it to get the string loose enough to remove? From the photo, that is what I would try–there is enough of the tuning pin sticking out to get the pliers on, I think.

    Hope this helps!

    Thanks, everyone,
    Balfour

    in reply to: Camac Nylgut vs Artist Nylon? #255519
    balfour-knight
    Participant

    Hi Gregg and all,

    Good posts, these! Gregg, in answer to some of your questions, 1st octave E at the top of the pedal harp used to be the first string, period. Then when makers wanted to go higher, they created the “zero octave” which includes just the f and g on a standard concert grand pedal harp. The range was gradually expanded (by Erard in France and England) to the 47 strings, going down to Low C. (I do like to call that one sixteen-foot C, as an organist, ha, ha!)

    On the Camac website, I do not see a difference noted between nylon and nylgut. You may look for yourself and research this further if you like. I did look at Aquila nylgut, which explains the differences, and their string gauges correspond to the metric diameters, just without the decimal.

    Good to see all of your posts, my friends!j

    Harp Hugs,
    Balfour

    balfour-knight
    Participant

    I guess I am a “big harp” person, ha, ha! The smallest harp I have ever found to be really satisfying is the Dusty Ravenna 34. I NEED those bass strings! I have played 26 string harps before, but NO BASS! They would indeed be great teaching instruments, or easy to travel with, but these days, my Dusty FH36S is my smallest harp to take. It is totally fulfilling in every way with its 36 strings, great tone, and small size. Very interesting, Dusty considers this a “large harp” since it is the largest professional model they make.

    This is just my opinion, of course! I look forward to others chiming in on this thread.

    Cheers,
    Balfour

    in reply to: Camac Nylgut vs Artist Nylon? #255494
    balfour-knight
    Participant

    Hello Gregg and all,

    I checked the string chart that came with my Camac Atlantide Prestige. It specifies, starting at the highest string G of the harp:

    G00 to F7 –Special Nylon for gut string harp

    E8 to A33 –Standard Gut or Light Gut “English Gauge”
    or Heavy Gauge Gut or Nylgut

    G34 to C45 (to the lowest C string, which is string 47 actually) Galli wires for concert harp, standard gauge or light gauge

    As you can see, Nylon is still used at the top. Nylgut is only supposed to be used as an option further down, at E8 and lower. E8 begins the “second octave” of a concert pedal harp.

    I hope this sheds a little light on the subject.

    Best wishes and harp hugs,
    Balfour

    in reply to: recommend music for small harps #255424
    balfour-knight
    Participant

    Hi, Elizabeth,

    You might like to check the Simply the Harp website. My good friend, Angi Bemiss, publishes a lot of music for small harps that you and your students could enjoy.

    Best regards,
    Balfour

    in reply to: New to harp: rentals and music questions #255377
    balfour-knight
    Participant

    I also heartily recommend the Atlanta Harp Center. I have been doing business with them since they opened in 2007. For lead sheets, be sure to check out the offerings of Angi Bemiss. The Atlanta Harp Center carries all of her publications.

    Cheers,
    Balfour

    in reply to: I want to play the harp! #255314
    balfour-knight
    Participant

    Hello James,

    I do usually travel with a harp, even on vacation. My Dusty FH36S “Cherie” is easier to transport and to pack around, so she is my instrument of choice to take with me.

    Glad you are in a “detached house.” That is much better for playing, and practicing on, instruments! I have been lucky that neighbors like my music, but it is good to not be in the same building, you know!

    Best regards,
    Balfour

    in reply to: Sound of L&H 85 CG’s vs 23’s? #255264
    balfour-knight
    Participant

    I had an 85 in natural that was very light blond initially. By the time I sold her after owning her nine years, the color had become just a little more golden, which I loved–she looked more like a gold harp, ha, ha! My Atlantide is beautiful, light tiger maple–the beauty of the wood and grain is just outstanding. If she becomes golden, I will love it. I guess it is all a matter of taste. I built a clavichord in 1980 in natural maple, and the finish over the years has darkened to a nice gold. To each his own, I dare say!

    Harp Hugs,
    Balfour

    in reply to: Help: performance lever screw won’t tighten properly #255251
    balfour-knight
    Participant

    Hi, Gregg,

    In answer to your question on the other thread, we do not seem to get notifications when someone “edits” their post. It only lets me know when someone posts something new. Sorry I forgot to let you know.

    So glad you were able to get the screw to hold.

    Best wishes,
    Balfour

    in reply to: Sound of L&H 85 CG’s vs 23’s? #255226
    balfour-knight
    Participant

    Thanks, everyone! Very nice posts. By the way, are you getting your Covid vaccines? My wife and I have had the first and get the second ones soon. This is the only way back to normal!

    Harp Hugs,
    Balfour and Carol Lynn

    in reply to: Sound of L&H 85 CG’s vs 23’s? #255197
    balfour-knight
    Participant

    You are exactly on my wave-length, Gregg! Just how the 23 has changed over the years would make a great doctoral dissertation, wouldn’t it?

    I only have the 1899 catalog facsimile, but I am sure there were many L&H catalogs through the years which might shed some light on this subject. L&H themselves could probably provide some answers if they were contacted.

    Best of luck,
    Balfour

    in reply to: Sound of L&H 85 CG’s vs 23’s? #255191
    balfour-knight
    Participant

    Karen, you are so right about “a Camac will never sound like a L&H or Salvi….” It is precisely this difference in tone, sound, and feel that makes me prefer Camac.
    Best to you all,
    Balfour

    in reply to: Sound of L&H 85 CG’s vs 23’s? #255185
    balfour-knight
    Participant

    I agree, Gretchen, but I was a “rebel,” I guess! My teachers all played Lyon & Healy and Steinway, but I found other brands I liked better, ha, ha!

    Harp Hugs,
    Balfour

Viewing 15 posts - 706 through 720 (of 1,493 total)