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UM

featured in this issue

Interviews

Learning to Lead

—by Li Shan Tan

Heading into her second season with the Met, Hannah Cope Johnson reflects on her first year with the legendary opera company.

Feature

Step By Step

—by Anne Sullivan

How to build the skills you need to play the music you want.

Feature

Higher Ed Harp Directory 2024

—by Danielle Kuntz

Find the right college fit with our annual guide to more than 125 college harp programs.

September-October 2024

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Columns and more

Alison Reese

From the Editor

The Match Game

—by Alison Reese

Giving it the old college try.

Sounding Board

Behind the Scenes

—by Jacqueline Pollauf

A not-so-glamorous glimpse behind the scenes of video recording.

Tear-out Tunes

Compositional Questions

—by Juan Riveros

A dance to celebrate Hispanic Heritage Month.

Advice

What is Proper Subbing Etiquette?

What is the proper etiquette when subbing for another harpist at a steady gig? When you sub for another harpist at a steady gig, I would recommend treating the harpist as a client. This harpist has worked hard to maintain their gig and they are trusting you to sub for them in a professional manner. To […]

Strange But True Harp Stories

French Hospitality

French hospitality.

Reviews and extras

Recording Review

Sea of Stars

—by Alison Young

Lauren Scott, harp; with Elizabeth Bass, Alexander Rider, Eleanor Turner, and Keziah Thomas, harps. Self-released, 2024. 

Recording Review

Éros

—by Alison Young

Joseph Rebman, harp. Imaginary Animals, 2024.

Recording Review

Also of Note

—by Alison Young

New recordings by Emanuela Battigelli and Daniele Garella are worth a listen.

Music Review

Sunday Songs

—by Alison Young

Music arrangements for church settings abound.

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