featured in this issue
For more than four decades Doug Rioth has called the orchestral stage his home. Now that he has left the stage for the final time, Rioth reflects on a career behind the harp.
For a freelancer, saying no to a new gig, new student, or new project can be difficult, even when it is the right answer.
We kick off a new feature series looking at different harp-related career tracks by shadowing a father-daughter technician team.
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Reviews and more
Anaëlle Tourret, harp. Es-Dur, 2021
Emily Granger, harp. Avie, 2022
New recordings from Stephanie Bernard and Marcia Dickstein.
New Italian publications of works by Hinner, Bach, and Garella.
Small hands with big dreams at the harp.