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UM

featured in this issue

Interviews

Special FX

—by Alison Reese

Lara Somogyi is melding her classical training with her love of pop and technology to create a sound all her own.

Feature

A Listening Ear

—by Alison Reese

We have a fascinating conversation with one of the most prolific harpists of her generation as we catch up with Judy Loman for our 20/20 series.

Feature

Summer Harp Camp Roundup 2020

—by Stephanie Gustafson

It’s back! We rounded up everything you need to know about nearly 50 summer harp programs.

Feature

There’s an App for That

—by Kristina Finch

We combed through hundreds of apps to find the 15 best game-based music apps.

January-February 2020

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(Log in to your Harp Column subscription account to download this issue, or subscribe now.)

Columns and more

From the Editor

Free Advice

—by Alison Reese

Traditional and modern career paths are both built on the same foundation.

Sounding Board

An Extra Special Concert

—by Allegra Lilly

An out-of-this-world musical experience.

Grace Browning

Lessons on the Job

Confessions of a Nervous Harpist, Part 1

—by Grace Browning

Putting mind over matter when you walk on stage.

Advice

Assessing a Used Harp

What to look for when buying a used harp.

Strange But True Harp Stories

An Undisclosed Location

A surprise location yields an unexpected comment.

Reviews and extras

Recording Review

Play

—by Alison Young

Pacific Harp Project: Megan Bledsoe Ward, harp; Noel Okimoto, virbes; Todd Yukumoto, sax; Jon Hawes, bass; Allan Ward, drums.

Recording Review

Playing For Luck

—by Alison Young

Ranagri: Ellie Turner, harp; Dónal Rogers, voice/guitar; Eliza Marshall, flutes; Joe Danks, bodhrán/percussion.

Recording Review

Harpistically Yours, Chopin

—by Alison Young

Coline-Marie Orliac, harp; Olga Pasichnyk, soprano.

Music Review

Brushing Up in the New Year

—by Jan Jennings

New books to work on your technique and special effects.

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