Home › Forums › Forum Archives › Amateur Harpists › Music for lever harp that is NOT classical, folk, Celtic, etc.
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barbara-brundage.
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AuthorPosts
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July 23, 2010 at 6:46 pm #158596
Alissa W
ParticipantHello everyone!
July 23, 2010 at 11:09 pm #158597jennifer-buehler
MemberIf you want that much chromatic flexibility you should have a cross-strung!
July 23, 2010 at 11:59 pm #158598deb-l
ParticipantI really like Natalia by Deborah Henson-Conant, it’s more modern and very different.
July 24, 2010 at 12:04 am #158599Karen Johns
ParticipantI love “Summer Rain” by Frank Voltz, and the book “Midsummer Meadow” by Pamela Bruner, especially “Forest Stroll”, “Dragonfly Waltz”, “Pacific Waves”, and “Gathering Dusk”. Also, Deborah Henson-Conant’s “Nightingale”.
Karen
July 24, 2010 at 11:38 am #158600sherry-lenox
ParticipantBernard Andres? As Jennifer pointed out, chromatic music requires lever changes.
July 24, 2010 at 12:12 pm #158601jennifer-buehler
MemberGreat suggestion Sherry!
July 24, 2010 at 2:58 pm #158602Alissa W
ParticipantThanks for the suggestions so far.
July 25, 2010 at 3:54 pm #158603jennifer-buehler
MemberDarhon Ree-Rohorbacher does some interesting harmonic things in some of her pieces.
July 25, 2010 at 7:43 pm #158604Stephanie
SpectatorI highly recommend Bernard Andres-his music has some neat and beautiful chords as well as some great melodies.
July 26, 2010 at 7:57 pm #158605Rachel
ParticipantBernard Andres has amazing music, and as others have noted, much of his much requires no lever changes but
August 1, 2010 at 8:41 pm #158606roger-day
MemberThe type of harp makes a big difference. Some have a long dwell which produces a certain amount of dissonant roar under the music when certain things are played. Some strings might be damped when this occours.
Other harps have a shorter dwell, and producing a whole note may require several hits to sound right. Yet, this type harp can do certain things better.
Another factor is percussive attack. A longer string for a certain note will have more string tension. More string tension tends to produce a clear ringing sound, but a much weaker ping sound when the string is plucked.
Also the type of wood and soundboard shape may be a factor.
August 2, 2010 at 9:11 am #158607Kathleen Clark
ParticipantI play a lot of Kathryn Cater and Mary Lloyd at City of Hope because both of their compositions fall into this category for me. Kathryn’s music was discussed in an earlier post on this thread. Mary Lloyd pieces I play are The Journey, Wishing, Unknown Paths, The Gentle Rain, Peaceful River, and Waiting for Heaven.
Both Cater and Lloyd books are published by Afghan Press and available on the internet through Melody’s Traditional Music and Harp Shoppe.
August 3, 2010 at 4:28 pm #158608Ann
MemberAs Jennifer suggested, check out books by Verlene Schermer, including the Tunes With A Twist series and especially Cool Chords And Groovy Rhythms. These books are available through Sylvia Woods Harp Center website. Try this page: Schermer on Harp Center
August 18, 2010 at 9:08 pm #158609jennifer-buehler
MemberI just picked up some Joyce Rice pieces that I heard at HarpCon and they definitely have some interesting harmonies with a minimum of lever changes!
August 19, 2010 at 1:42 am #158610rod-c
ParticipantAlissa:
Jan Jennings has a nice book of pop tunes. It’s called: Pop Standards for the Lever Harp. Most online music stores will have it.
Here’s a link. http://www.aharphaven.com/store/product_detail.asp?alpha=2088
It has songs like Unchained Melody, Theme from Ice Castles, Can’t Help Falling in Love…
The arrangements are for lever harp; if you’re an intermediate student, you will be able to play these pieces. I have the book and really like it.
Best,
Rod C.
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