I haven’t played the show since I subbed in the original Off-Broadway production quite a few years ago. Hank Whitmire was the last harpist to play the show, and he may have played it the longest, too. They rewrote the harp book, I seem to remember him saying. He’s probably the best person to get in contact with. It’s all playable, surprisingly, if you’re dextrous. With a sort of glib approach, like the show itself, it kind of fall into place. You have to do a lot of fast jumping onto different notes, placing, etc. but there should be enough time. The trickiest thing was having to play in a blackout until the lights came on. You probably won’t have that problem. There is an original cast recording, and if you listen carefully you can hear most of the harp part. It all moves along rather quickly, and is really lovely music. My favorite part was Soon It’s Gonna Rain. This Plum is Too Ripe is the trickiest, perhaps. It’s very syncopated, and you may have to play the claves as well as the harp.

Hi Tiffany,

I’ve done this show a number of times over the past five years or so.

I am in the same boat right now. Need to okay this show the first two weeks of December, but the organizer can’t get the harp part to me for another week or so. I haven’t played this music for 30 years, and I know it will take a lot of work.

Did you have any luck finding a copy of the harp part of the newer version of this harp part???

The part is only available for rental from Musical Theatre International.

The new version is the same as the old, except put in to Finale, so it’s a bit more legible.

The only change I know of (and have encountered) is the song to replace “It Depends On What You Pay (The Rape Song.)

Hi, David. I was referring to the original part (old old) vs the Alyssa Hess redo (new old) that’s been standard for so many years now. I much prefer the original and play that version whenever the music director will let me.