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August 27, 2011 at 7:44 pm in reply to: Giovanni Gabrieli(c.1553-1612) – Canzon V a 7 – Canzoni e sonate, 1615 #147439
Saul Davis Zlatkovski
ParticipantHe is known for brass music, so that is probably what they want.
Saul Davis Zlatkovski
ParticipantYou should take the harp to PT, or to an Alexander person.
Saul Davis Zlatkovski
ParticipantI know of at least one for sale in Philadelphia, very close to NYC.
Saul Davis Zlatkovski
ParticipantWell, Bob, are you preparing an authentic edition of the Boieldieu, then? We need it. How much was added in the Ricordi edition?
Saul Davis Zlatkovski
ParticipantMost recently, Wanda Landowska had a profound effect on me (rhythmic expression, touch, style, verve), previously, Alicia de Larrocha (style, perfection, repertoire), Victoria de los Angeles (color, expression, beauty), Artur Rubinstein (power, heart, control, mastery, drama, perfection, presence), Yehudi Menuhin (spirituality).
Saul Davis Zlatkovski
ParticipantPerhaps you can help them relate it to the tension of the string: pushing down makes more tension and requires more effort, letting the pedal up releases tension and opens the string.
Saul Davis Zlatkovski
ParticipantIt’s not a harp movie, but the funniest musician’s story ever: http://www.youtube.com/watch?v=cVC_CiZdzY0
Saul Davis Zlatkovski
ParticipantUse this link instead: http://www.youtube.com/watch?v=64o6s8PmnoE
Saul Davis Zlatkovski
ParticipantIf you have clarity and musicality, fast playing doesn’t necessarily sound fast. It is easy to judge too hastily. While one is tempted to focus on the right hand, the left hand is of vital importance to Whirlwind.
Saul Davis Zlatkovski
ParticipantNon-profit organizations are businesses, like any other, especially ones that are in promotion, and to expect free services or
Saul Davis Zlatkovski
ParticipantOn a good day, me. Lucile Lawrence. Carlos Salzedo. Heidi Lehwalder, I’m sure. Alice Giles, I would think. You’d be surprised what is possible. Flight at 152 is possible.
Saul Davis Zlatkovski
ParticipantI am interested in research to a degree, but not to a dma degree or phd. I am more of a performer-detective. Marin’s music is coming online, not that I have found it exciting. Dalvimare is one of the best of the harpist-composers. One of the chores is wading through material to find works for piano or harp that have only been catalogued as piano music.
There don’t seem to be many harpists interested in musicology. What does that say?
As for funding, where is it?
Mirella Vita has done extraordinary work, but I don’t know how she has managed it.Saul Davis Zlatkovski
ParticipantProfessor Elizabeth Richter has the best edited part.
Saul Davis Zlatkovski
ParticipantI think the ideal is to begin with harp. Piano thinking is different. Piano playing is different. Some people cannot fully adopt harp playing and rid themselves of the piano playing. Some are too tight from too much muscle development of the wrong kind.
Saul Davis Zlatkovski
ParticipantMiss Lawrence was kind of dumbfounded by my desire to know so many pieces. In her day, you did not need a huge repertoire, although Florence Wightman certainly did for her radio recital series. What mattered was the quality.
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