Elizabeth Volpé Bligh

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Viewing 15 posts - 16 through 30 (of 954 total)
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  • in reply to: Harp and Soprano Repertoire #256884

    I had forgotten the Tournier La Lettre du Jardinier! I performed it years ago. Also, there is a nice suite of songs (poems by different authors) by Haim Permont called Songs of Love and Remembrance. It was performed at the World Harp Congress in 2011. Schumann wrote some songs in which the part can be played on harp: Die Tochter Jepthas, Dem Helden, and An den Mond. Serenade Florentine by Duparc also works on harp.

    in reply to: Advanced Christmas Music #256861

    The first thing that springs to mind is the Interlude from A Ceremony of Carols by Britten, or one of the solos from Rutter’s Dancing Day.https://www.youtube.com/watch?v=n-oa4O3WKRs (second solo at 12:54) Judy Loman wrote a little suite of Christmas carols, though I don’t know if she has published them. Kim Robertson’s collection of Christmas pieces have some quite challenging ones.

    in reply to: Harp and Soprano Repertoire #256860

    Fleur des Blés by Debussy for soprano and piano can work on the harp. There’s a charming lullaby by Herbert Hughes for soprano and harp called Little Boats. Five Greek Melodies for voice and piano by Ravel, and transcribed for voice and harp by Salzedo with Ravel’s approval. The Nightingale by Deborah Henson Conant has a vocal part.If you google soprano and harp, various youtube videos come up that might give you some ideas.

    in reply to: Suite 34 by Marcel Tournier #256684

    Suite op. 34, yes? I was confused by the title of this thread.

    in reply to: Misprint in Flagello’s Berceuse? #256480

    Let’s agree to disagree.

    in reply to: Lever harp in HS Orchestra? #256454

    https://harpcolumn.com/forums/topic/lever-harp-parts-for-orchestra/ has some answers for you. I recommended several pieces that work.
    There are some pieces that can work, but many that cannot. I’m looking into this subject right now for a summer course I’m teaching.

    in reply to: Misprint in Flagello’s Berceuse? #256313

    I had never noticed this before! Being a composer myself, I can safely say that one can miss a mistake like this and send it to the publisher. I suspect that the chord is to be played in the bass clef, then the treble clef is reinstated for the eighth notes that follow. If he wrote those accidentals in, it can only work in the bass clef. It makes sense to me, because the same figure happens two bars later in bar 27, with the chord in the bass clef.

    in reply to: stuck action block and clicking pedal #255614

    It turns out that it is probably a cracked bushing up at the top of the action, which means a trip to the factory. But thank you to everyone for all the helpful advice! I appreciate it very much.

    in reply to: Hardest orchestral part #254349

    Oh, yes, Tzigane is one of them. For insane pedalling, there’s the Magic Fire Music by Wagner. Wagner also wrote impossible parts in some of his other operas, one of which, Tannhäuser, was so bad that the harpist who premiered it complained to him that it was unplayable. Herr Wagner replied, “Just play something sparkly in the right key.” https://harpcolumn.com/forums/topic/tannhauser-act-2-scene-4-difficult-spot/
    On this subject, I have published a few of my editions of orchestra parts right here on Harp Column Music. Included is my adaptation of Brahms’ 4th Hungarian Dance, whose original part was impossible for my hands, and The Sorceror’s Apprentice.
    Schoenberg’s Pelleas und Melisande is another impossibly written part for two harps. It really needs four. I had to re-write swaths of it.

    in reply to: Notating Salzedo Whistling Sounds in FInale #252611

    I use Sibelius software. I wrote whistling sounds in my latest pieces that just came out on Harp Column Music. I also used the Chime symbol from the percussion fonts.

    in reply to: It's a new age…I tried something different! #251562

    No, Philippa, I have not heard from Laura in a long time, though I think of her. That was such a lovely time in Crea!

    in reply to: Getting sick of those pedals…..!! Chromatique harp #251561

    The link to Hedwig’s theme will not open. But that was wonderful to see Sylvain playing the chromatic harp. I can’t imagine re-programming my fingers to play in such a different way. He is an extraordinarily gifted harpist, conductor, harp builder, and very nice person as well! I’ll never forget his amazing performance of Bach’s Goldberg Variations at the World Harp Congress in 2011.

    in reply to: Air – Bach arr. by Amy Turk #250751

    Lovely!

    in reply to: Debussy, Claude:Prélude à l'après-midi d'un faune #250749

    I thought it would be very helpful to see the excerpt in question as an attachment, just those bars. So, I have made a little excerpt to show what is meant.

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    in reply to: lever harp soundboard surface crack #250747

    I have seen this problem with a second-hand Troubadour that had arrived in perfect condition. Within a year, we were seeing cracks just like this. We thought for sure it was just the veneer, but it now has progressed to an obvious series of cracks that go straight through. Now we are getting a brace built to hold it together from the inside. Peter Wiley knows how to make these and could send you instructions, or perhaps you have a professional harp repair person near you. If you leave it too long, it will become unrepairable. Best of luck!

Viewing 15 posts - 16 through 30 (of 954 total)