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Pedal Harp String Spacing?

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Home Forums Harps and Accessories Pedal Harp String Spacing?

Viewing 15 posts - 16 through 30 (of 121 total)
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  • #295644
    John Leclerc
    Participant

    Here’s the soundboard I have, would his ideas even work on a 40 string harp?

    #295645
    charles-nix
    Participant

    OK, I’m completely gobsmacked. That has to be one of the most idiotic things I’ve ever seen.

    1) I was wondering what that steel piece was inside your harp. He intended to fasten the strings to that, then pass them through the soundboard. Without lateral support, it would never hold the tension, and would ultimately be pressing against the board one way of the other anyway.

    2) The action of the harp is designed to come into regulation with the board bowed up slightly. It would never be in regulation without that pull-up, especially in the bass, where there is little adjustment available.

    3) Plywood of seven layers of veneer, glued with contact cement. Except that right at the center, where the forces are at their strongest, three layers are cut away in the center, leaving two veneer layers top and two bottom. Of those, at least half run grain vertical.

    That leaves you with two veneer thicknesses (usually 1/48″) to hold the tension. My 29! string lever harp has string tension near 750 lbs. A pedal harp is around 2000 lbs.

    You are looking at the soundboard. Will it support you and four friends standing?

    Throw that board away or try finishing what he started if that interests you.

    Regarding designing a special stringing, it can be done. You will need string thickness gauge charts for the brand strings you want to use, or charts of standard constructions for types of strings. You will need a thorough understanding of the Mersenne/Taylor equations and how to use them. You will need to understand how a pedal harp is regulated.

    Most of all, you will have to know how to evaluate and test the result for success according to your goals for the instrument. There is no simple formula. Saying “tell me how to build a harp” is like saying “tell me how to build an automobile”. Do you want to go fast? Do you want good mileage? How many passengers? How much cargo room?

    Wikipedia will get you a start https://en.wikipedia.org/wiki/String_vibration

    Sligo harps has information on building and designing harps.

    I can send you a stringing calculating spreadsheet. But it only does the tension calculations. It won’t help you decide how to graduate the diameters or choose a stringing material. There is no information available on how to modify the action of a pedal harp to correctly sharpen smaller gauge strings. All of this is all harp design, and is specific to each builder. In this case, you would be the builder.

    What you entertain with designing a soundboard, designing a stringing, and making it all work on an existing pedal harp action would be an advanced research design project for ANY harp builder in the world. You should expect to blow a couple of soundboards (or make them too thick) and restring several times before you get it right.

    • This reply was modified 2 years, 6 months ago by charles-nix. Reason: misspelling
    #295647
    balfour-knight
    Participant

    This video is terrible, John! It is like witnessing an execution–poor harp! There should be a society to prevent cruelty to harps!

    #295648
    charles-nix
    Participant

    And I’m not trying to discourage you at all. But you need to know that you are on uncharted territory, and will have multitudes of factors to balance out.

    The technical information is freely available for how to do the calculations. Most of the math was established by 1800.

    The closest thing ever built to what you propose is a historic harp from the earliest ones late 1700s, basically the predecessor two generations prior to today’s modern pedal harp. A few of those are still extant in original condition, and some have probably been measured in museums. The string lengths are probably different from what you have, because your 40-string was designed _after_ the standard 47 string, and is designed to use the same strings.

    Howard Bryan had restored a few of those before he retired, and some others have also.

    But even that historic example will only be a sign pointer or “reality check” for what you would design.

    #295649
    John Leclerc
    Participant

    What a nightmare, when I saw those videos I put the cover on it on walked away, funny earlier I sent some pictures of that bar to L&H and asked, did you guys put this in? HaHaHa.
    At this point I can make it look pretty and sell it as decor piece, so far only have $7 into it.
    Or part it out? ebay? hassel, what would parts even be worth?

    When I saw the video I was half asleep, then said to myself wait! that looks just like my harp! it is my harp!
    Why would he do that? it looked like it was in perfect shape.

    Stay tuned for Johns harp from hell!

    #295654

    I would think this would be considered a trade secret. You can look at the patents for Wurlitzer harps, which are public domain, I believe, and are copies of early Lyon & Healy harps.

    #295655

    Witnessing the murder of a harp is rather distressing.

    #295663
    carl-swanson
    Participant

    Dear Charles, Balfour, et al: I know I’m going to sound incredibly snotty with what I have to say, but I need to say it. I have read or skimmed over all of the posts in this thread, and this is what happens when well meaning (I think) but totally unknowledgable people(where harps are concerned) try to “repair” harps. Over my career I have, a number of times, had to repair instruments that someone else, who had no knowledge of the harp or harp construction, had worked on. It always involves ripping out everything that they did and then doing the correct surgery that the instrument needed. This instrument is a classic case of this. He had no understanding at all of how the harp has to function, and no knowledge or understanding at all of the stress on the instrument. In addition, he didn’t even know how to take the harp apart. He has destroyed this instrument beyond repair. And he clearly was so sure of himself and confident in his ability that he didn’t even try to consult with anyone who does know this.

    Three years ago I decided that I wanted to train several people to repair harps. The first one was a young man(19 at the time) who was in a cabinet making course in Boston. He is now 23 and has more or less completely taken over my business. He is a master craftsman and a far better woodworker than I ever was. I can’t wait to show him this video! He has already had to undo the damage that other people have done to good instruments, and I had warned him early on that my biggest fear was that, if I didn’t train people to do major harp repair, then that would leave the door open for catastrophes like this.

    • This reply was modified 2 years, 6 months ago by carl-swanson.
    #295902
    John Leclerc
    Participant

    Up date , so emailed Lyon and Healy last week and got a reply yesterday, about that metal spline and they said it’s interesting but they would have never put one in .
    They said to repair it properly they would replace sound box and sound board, not cheap! pass.
    As far as string spacing template they can’t release that info, top secret!

    I’m going to build a new stronger soundboard, the one Staley made is kind weak, only good thing he did was copy the spacing for strings and transferred it to the sound board he made, I will use that.

    This harp so far will be a decor piece but I’m still going to make it look good and maybe play, my wife wants to keep it??
    I made a video with more info for your amusement lol.

    #295908
    balfour-knight
    Participant

    Thanks for the new video, John! I wish you had a harp technician in your neighborhood. You are brave to tackle this project, and it looks like you have done a great job on the Mercedes! Harps are not nearly as complicated as cars, ha, ha! Those little plastic/nylon/delrin things in the soundboard are called “dots,” and you are correct about the little brass ones–eyelets. These are necessary to keep the strings from tearing out the wood of the soundboard, and they do provide a nice “path” for the strings to go through the soundboard. You can search google for harp builders and suppliers in CA and maybe find one to help you get through this project. Try Robinson’s Harp Shop in Mt. Laguna, CA. It would be nice if you can make this harp playable, but I agree with your wife, it is a beautiful art object, too.

    Best wishes,
    Balfour (and Carol Lynn)

    #295913
    balfour-knight
    Participant

    Dots are used for the bass wire strings, eyelets are used for all the others.

    #295914
    John Leclerc
    Participant

    Good to know, that makes life easier! found some images, so there are about 4 different size eyelets, small, medium, large,extra large, ,I found a Harp site that sells them how do I khow many of each size to get? the harp has 40 strings.
    Thanks again!

    • This reply was modified 2 years, 6 months ago by John Leclerc.
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    #295919
    balfour-knight
    Participant

    John, I think Carl Swanson could tell you that. My Camac pedal harp uses black “plastic” dots and eyelets, so that is no help to you for this L&H. Also, my friend, Gregg Bailey, who often posts here, has a L&H Prelude 40 string harp that may use the same eyelets as the 85 Petite 40-string pedal harp that you have. I will see if he will give you this information. Good luck with all this!

    Balfour

    #295920
    balfour-knight
    Participant

    Here is a photo:

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    #295946
    balfour-knight
    Participant

    John, please see the “Tango for lever harp” thread that we have posted comments on here. Biagio responded on that thread!

    Cheers,
    Balfour

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