How do you all explain the tuning process to students in terms of lever positions?
My personal method when I perform is to set the levers to C major and then tune the strings, as this is a key ‘near’ to most keys I play in.
However, i have read that the text-book method is to dis-engage all the levers and tune in E flat. This method sounds like it would work in an ideal world – ie if the harp had perfect intonation, but in the real world of mechanical imperfections I find that my C major method seems more practical.
Any comments?
Martin
Bristol, UK