Granjany / Renie Technique

Log in to your Harp Column account to post or reply in the forums. If you don’t have an account yet, you’ll need to email us to set one up.

This topic has 27 replies, 16 voices, and was last updated 11 years ago by Saul Davis Zlatkovski.

Viewing 13 posts - 16 through 28 (of 28 total)

← 1 2

Author

Posts
April 24, 2009 at 2:19 pm #82944

unknown-user
Participant

Lyon and Healy also carries it.

September 9, 2011 at 5:01 pm #82945

Jap
Participant

http://www.di-arezzo.co.uk/sheet+music/instrument+training/sheet+music-for-harp/LEDUC01368.html?PHPSESSID=229dc56161ff634783668378878c6fdc

and

http://www.di-arezzo.co.uk/sheet+music/instrument+training/sheet+music-for-harp/LEDUC03706.html?PHPSESSID=229dc56161ff634783668378878c6fdc

the 2 complete Volumes…

The 2 books costing almost close to US$200 !!!!!!!!!!!!!!!

very very very expensive !!!!!!!!!!!!!!!!!!!!

September 9, 2011 at 5:22 pm #82946

jessica-wolff
Participant

I was taught Salzedo and couldn’t understand why some folks were making fun of me for it.

September 9, 2011 at 8:37 pm #82947

Susan Abken
Participant

R/G trolls are to be ignored, and likewise, if a harpist plays R/G method and the Salzedo trolls start taking verbal cheap shots, it’s a reflection of their own sick souls, not you! Make music for the JOY of it, and just keep your technique strong and consistent and to YOU inner standard, no matter what the trolls have to say!

In the music world, too many musicians would rather misuse their limited God-given time to belittle others, rather than working hard and long on their own art. Just let the whirling dervishes whirl, and enjoy what you do and get out there and do it!

September 16, 2011 at 2:53 am #82948

Saul Davis Zlatkovski
Participant

I just want to say that Salzedo was a great admirer of Henriette Renie.

September 16, 2011 at 3:26 am #82949

unknown-user
Participant

If you make the sound that YOU want to make, then the means of production are irrelevant… unless you’re talking about excessive or unnecessary physical stress.

~Sam

January 4, 2012 at 4:43 pm #82950

Saul Davis Zlatkovski
Participant

Musical traditions are valuable when effective and clearly thought out and applied. Mindless repetition of what others

January 4, 2012 at 4:44 pm #82951

Saul Davis Zlatkovski
Participant

P.S., it is Grandjany, not Granjany or Grandjanay, as so many are prone to mispronounce the name.

January 26, 2012 at 3:11 pm #82952

Elizabeth L
Participant

Jessica Wolff said, “I was taught Salzedo and couldn’t understand why some folks were making fun of me for it.”

Jessica, were they other harpists or

January 29, 2012 at 9:51 pm #82953

Saul Davis Zlatkovski
Participant

When people say things like that, it could be anything or nothing, it is not coming from reality. More than likely, they are just repeating/parrotting something they have heard said, or an attitude.

December 12, 2013 at 9:15 pm #82954

harp-lady
Participant

I’m wondering if anyone has be able to find a copy of the video Experiencing the Harp? I can’t find it for sale anywhere!

December 13, 2013 at 4:23 pm #82955

Loonatik
Member

wow, did I see this correctly. The revival of a 2003 thread…

April 23, 2014 at 7:20 pm #82956

Saul Davis Zlatkovski
Participant

By the way, his name is Grandjany, and it is NOT pronouned Grand-ja-nay. It is Grand-ja-nee. I think if we study 19th century harp methods, we will find some of the same differences occurring then. Conflicts between schools of playing are an inherently French tradition! The French harp tradition has a few schools of playing, but the piano tradition has many! Just imagine that.
Author

Posts