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GETTING PAID

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Home Forums Forum Archives Professional Harpists GETTING PAID

Viewing 15 posts - 31 through 45 (of 47 total)
  • Author
    Posts
  • #149976
    David Ice
    Participant

    Hi Jessica,

    Have you asked the regular harpist how soon the checks come out?

    #149977
    janelle-lake
    Participant

    I got stiffed.

    #149978
    Jerusha Amado
    Participant

    Dave,

    You’re such a sweetheart to help out your fellow colleagues in that way!

    #149979
    janet-king
    Participant

    Your contractor “friend” owes you money.

    #149980
    barbara-brundage
    Participant

    What Janet said!

    #149981
    carl-swanson
    Participant

    I agree entirely with Janet too. The contractor took the responsibility of getting the money. He then contracted each of the musicians. So whether or not he gets the money from the Pole, he owes everybody the money he promised. If you know the other musicians who were in this too, you should all put up a solid front and tell the contractor that if he doesn’t pay up, he’ll never contract anyther job again. You should then take legal action against him, not the Pole, and also inform the Musicians Union. He’s no friend if he does this to the musicians he contracts.

    #149982
    carl-swanson
    Participant

    In light of a private email I just got, I’d like to add one more thing. If a harpist sub-contracts out a wedding to another harpist, the the harpist who subcontracted it out is responsible for the entire transaction.

    For example, the harpist who actually plays the wedding will get an agreed amount from the harpist who sub-contracted it out, not from the bride. If the bride decides to ask the harpist playing the job to go into overtime, then it is the job of the harpist who originally contracted the job to collect the overtime fee from the bride and to pay that additional money to the harpist who played the job. It is the obligation of the harpist contracting the job to have an overtime clause in the contract, so the bride knows up front how much overtime will cost. In any event, the harpist who contracted the job originally owes the harpist who played the job all of the money due, including overtime. It is no concern of the harpist who played the job whether or not the harpist who contracted the job was able to collect the overtime fee.

    #149983
    janet-king
    Participant

    OK, so…

    #149984
    diane-michaels
    Spectator

    I advise my clients that overtime on a ceremony is at the discression of the musician (who wants a harp being wheeled out during their vows, or a recessional sans music?), but overtime for any reception is at the discression of the client.

    #149985
    alishia-joubert
    Participant

    Was this studio in Evanston?

    #149986
    Liesl Hagan
    Member

    Hi, David –

    Your post about surveying the harp community about their rates is very
    helpful! We are thinking of doing something similar in Atlanta. I’m
    pretty new to the area and to the professional harp world in general,
    so fair and appropriate pricing is often on my mind – and as I get to
    know other local harpists, I see that they often have similar concerns.
    I’m the incoming president of our AHS chapter, and the other officers
    and I are in the process of putting a web survey together on this and
    other topics to help us plan for the year’s events. We were wondering
    if you’d be willing to let us see a copy of the survey that you use in
    Phoenix as a reference.

    Thanks again for your thoughts!

    Liesl Hagan

    #149987
    David Ice
    Participant

    Hi Liesl,

    I’ve looked around and I can’t find the questionaire, but it was along the lines of

    1 hour gig

    #149988
    Liesl Hagan
    Member

    Thanks so much, David!

    Liesl Hagan

    #149989
    onita-sanders
    Participant

    This past year, I have discovered that my contract does not cover enough areas to MY benefit.

    1. Clients who cancel on you after the non-refundable deposit has been paid but yet have paid you in full.

    #149990
    amy-walts
    Participant

    Surveys are always a cool idea, but of course people worry about anonymity to keep things objective and honest. A survey of this sort went out in my area a few years ago and it was pointed out that things like handwriting and postmarks are enough to give the identity of the respondent. Using a website like Survey Monkey (www.surveymonkey.com) is awesome for this kind of thing. You can set up a (free!) online survey that each musician can complete, and not even have to worry about mailing anything back in. SurveyMonkey will interpret anonymous and confidential reponses and report response statistics back in any number of formats for you. It’s definitely worth checking out. I have used it before in the past to conduct follow-up “customer satisfaction” questionnaires and it’s worked very nicely. Worth checking out for anyone thinking about doing a survey.

Viewing 15 posts - 31 through 45 (of 47 total)
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