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UM

featured in this issue

Interviews

Golden Girl

—by Kimberly Rowe

Fresh off her gold-medal win at the 2016 USA International Harp Competition, Katherine Siochi sits down to talk about her the experience and how she got there.

Feature

50 Ways to Boost Your Income

—by Alison Reese

Need to make more but don’t want to put down your harp to work at Starbucks? We’ve got 50 ideas to use your music skills to put more money in your pocket.

Feature

Gold Star Student

—by Anne Sullivan

Make yourself into a model student by developing these five key habits.

September-October 2016

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Columns and more

From the Editor

Autumnal Anticipation

—by Alison Reese

Rethinking study habits.

Sounding Board

Theoretically Speaking

—by

Will I ever use this music theory in the real world? According to this harpist, the answer is a definitive yes.

Harmonic Curve

Creating Music in Silence

—by Jaymee Haefner

Working in silence.

Advice

Are Conferences Worth It?

Q: Is it worth the money to attend conferences and workshops?

Strange But True Harp Stories

The Missing Envelope

An unconventional payday.

Reviews and extras

Recording Review

The Art of Imagination

—by Alison Young

8/10 Queens Duo: Hanna Rabe, harp; Verena Beatrix Schulte, flute; TYXart, 2015. Queens Duo—German harpist, Hanna Rabe and flutist Verena Beatrix Schulte—quotes Einstein on its new album The Art of Imagination: “Logic will get you from A to B. Imagination will take you everywhere.” And it is unquestionably so in this glorious album. The spirit […]

Recording Review

Whisper: The bossa-Nova Brandenberg concerto

—by Alison Young

7/10 Cristina Braga, harp, and the Brandenburger Symphoniker; Biscoito Fino, 2016. She has it all—the sultry voice, the look, great friends to make music with—and she ties everything up in a bow accompanying herself and providing the entire foundation with her harp. It’s Brazil’s national treasure, Cristina Braga, this time recording live in Germany’s Brandenburg […]

Music Review

Jazz For All

—by Jan Jennings

Three collections by Evelyn Huber and a new arranging and improv reference book from Felice Pomeranz.

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