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UM

featured in this issue

Interviews

A Lasting Impression

—by Kristina Finch

One of the country’s finest pedagogues talks about what more than four decades of teaching has taught her.

Feature

Fitting In

—by Kela Walton

Whether you’re subbing or playing second harp on a gig, find out the keys to fitting in seamlessly with any group.

Feature

Take Note

—by Elizabeth Jaxon

Been waiting to type set all of your hand-written arrangements until you can find the time to figure out the software? Your wait is over. Just sit down at your computer with this article and you will be churning out professional- looking music in no time.

November-December 2015

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Columns and more

From the Editor

Deep and Wide

—by Alison Reese

Preparing for success.

Sounding Board

Playing for the Pope

—by Melissa Tardiff Dvorak

Playing for the Pope presents special challenges and experiences.

Harpist Reinvented

Play With That!

—by Deborah Henson-Conant

Deborah Henson-Conant looks at the journey of music making in the final installment of the series.

Advice

Social Media Strategies

Find out what social marketing strategies have worked best for our experts.

Strange But True Harp Stories

The Cat’s Meow

—by Betsy Scott Chapman, Boyerstown, Pa. It was the perfect venue. A beautiful old Pennsylvania stone farmhouse turned bed and breakfast, with a reported million-dollar overhaul. There was a sweeping staircase for the bride to descend and a pathway that led to a gazebo nestled next to a babbling brook. The harpist was settled off to […]

Reviews and extras

Recording Review

Postcards from the Soul

—by Alison Young

Tasha Smith Godinez, harp; Omar Firestone, cello; Leopoldo Gonzalez, flute; self-released, 2014.

Recording Review

Intimamente Tango

—by Alison Young

Floraleda Sacchi, harp; Maristella Patuzzi, violin; Decca, 2015.

Music Review

Christmas Classics

—by Jan Jennings

It’s not too late to add these Christmas tunes to your repertoire before the holidays.

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