featured in this issue
Equally at home performing in a jazz club or on a concert stage, Charles Overton marches to the beat of his own drummer—even when that beat has him turn down acceptance to Juilliard. —by Kimberly Rowe
We take a closer look at six successful public school harp programs around the United States. —by Kela Walton
Musicians’ ears are under constant assault. We explain how your hearing works and how to protect your most valuable sense. —by Louisa Ellis Woodson
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departments
Reviews and more
The Alchemy; Elements: Gwyneth Wentink, harp; George Brooks, saxophone; Kala Ramnath, violin and vocals. Earth Brother Music, 2018.
Rachel Talitman, harp; Jean-Marc Fessard, Adrien Eble, clarinet; oboe, Ensemble Mendelssohn. Harp & Co., 2018.
Jan Jennings reviews new original solos for lever and pedal harp.
Quick stats on the six public school harp programs we profile; plus, how do they get all those harps?
A look at some high profile public school program alumni.
Author Louisa Ellis Woodson follows a new path.
Why is it important to change worn out strings before a regulation?