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featured in this issue

Feature

College Harp Program Listings

—by

143 schools for harpists across the U.S. [pullquote]Submissions To have your program included in our next installment of this listing, please submit a listing in our college directory. [/pullquote]t’s been nearly six years since Harp Column last compiled our guide to college harp programs, and it is high time for an update. The 2013 edition includes 114 […]

Feature

Ten things I wish I knew before I went to college

—by

If college is on the horizon for you, then these valuable words of wisdom from recent college harp graduates should be required reading. —by Megan Caulkett As a recent graduate with a Master’s degree from Rice University and a Bachelor’s from Boston University in harp performance, I’ve thought a lot about things I wish I […]

Feature

Hitting the Right Pitch

—by

—by Anne Sullivan When it comes to pitch, practice makes perfect…or at least relatively perfect. he first time I tuned a harp was 45 years ago. I couldn’t even begin to count the number of times I have tuned a harp, and the number of times I wish I had tuned more carefully. Why do […]

Interviews

Outta This World

—by

—by Kristi Shade Erin Hill is bringing a little theater to the harp… and a little harp to the theater. Find out what this truly one-of-a-kind harpist is all about. I first met Erin Hill about seven years ago at a gig at the Plaza Hotel. Erin and I, along with about six other harpists, […]

July-August 2013

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Columns and more

Arranger Profile

Arranger Profile—Kathy Bundock Moore

—by

Kathy Bundock Moore has arranged theory and instructional books for harpists. How do you decide what to arrange?  I arrange music and write books for different reasons. Certainly, gaps in available harp materials are the biggest reason I write and arrange. If I can’t find what I’m looking for, I write it! My recent beginning […]

Sounding Board

Try, Try Again

—by Haley Rhodeside

The year was 2009, and it was sometime early in December. I was having my last lesson of the semester, my first semester at Indiana University (IU) as a freshman studying with Susann McDonald. I don’t remember exactly what I played during that lesson, but it must have gone fairly well because towards the end, […]

From the Editor

From the Editor—July in Bloomington

—by

This year’s USA Competition takes on special meaning. As this issue of Harp Column hits the streets, all eyes are on Bloomington, Ind., where the world’s most exciting and promising young harpists are again competing for the gold medal at the ninth USA International Harp Competition (IHC). The atmosphere in the normally sleepy summer college town of […]

Strange But True Harp Stories

Party Crasher

Strange But True Harp Stories omeone was supposed to be there at the loading dock—that’s what the booking agent said. But after repeatedly punching the intercom unit with no reply, I knew I wouldn’t be entering through these particular State House bowels. Phoning the booking agent yielded no assistance—his part was done and over. Left […]

Advice

Subbing for a Regular Gig

Question: I was referred to sub for another harpist’s annual church gig when she had an emergency. Is it appropriate or ethical for me to contact the church next year about hiring me again? In a word, no! If the referring harpist is still working professionally in the area, this job is ethically hers. If […]

Reviews and extras

Music Review

Whimsy and Wonder

—by

From Great Britain, eminent harpist Skaila Kanga sends us her Minstrel’s Gallery and Minstrel’s Holiday for consideration. Expertly constructed to align with the Associated Board of the Royal Schools of Music (ABRSM) graded exam syllabus for harp*, teachers will find a wealth of interesting material for the beginning harpist in these two collections. The compositional style is inventive, at […]

Recording Review

Joseph Lauber 1864–1952

—by Alison Young

Rachel Talitman, harp; Harp & Co., 2013. 4.5 harps  (Note: recording reviews prior to 2014 were based on a 5-star system.) Who was Joseph Lauber? Wikipedia tells us he was a Swiss composer who studied organ with Joseph Rheinberger and composition with Jules Massenet.  He then headed up a theatre in Geneva and wrote loads […]

Recording Review

American Harp

—by Alison Young

Yolanda Kondonassis, harp; Azica, 2013. 4.5 harps  (Note: recording reviews prior to 2014 were based on a 5-star system.) I still remember like it was yesterday seeing Yolanda Kondonassis play for the first time. We were both around 14, looking a little frumpy in our dark blue corduroy knickers and light blue oxford shirts, both […]

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