featured in this issue
Interviews
Carrying on the Tradition
A fascinating conversation with Marie-Claire Jamet about the French harp tradition in which she grew up and now passes on to future generations of harpists. —by Myriam Serfass
Feature
Summer Harp Camp Roundup
We’ve rounded up over 60 programs where harpists young and old, beginner and advanced, can spend their summer. —by Kristina Finch
Feature
The Right Rep
Finding your voice as a newbie in orchestra can be a challenge. We have some great repertoire ideas to get you started. —by Michelle Gott

January-February 2017
(Log in to your Harp Column subscription account to download this issue, or subscribe now.)
Columns and more
Student Scenarios
Style Points
In the first installment of this new column, Anne Sullivan helps find solutions to their most puzzling situations with students. —by Anne Sullivan
Sounding Board
Searching for a Better Way
Playing the harp doesn’t have to hurt, but for many it does. Elizabeth Landis looks into some of the reasons why and some ways to stop pain before it starts. —by Elizabeth Landis
Advice
Conquering Performance Anxiety
When performance anxiety strikes, find out how to stay cool as a cucumber.
Strange But True Harp Stories
Abandonment Issues
During 30 years of playing the harp professionally, I had (spoiler alert) never missed a gig. From lake effect snowstorms in Cleveland to blizzard conditions in Michigan to monsoon season in Houston, neither rain, nor sleet, nor gloom of another holiday office party could stay me from arriving, usually early, at my appointed destination. One […]
Reviews and extras
Recording Review
Harp Concertos—Naoko Yoshino
Harp Concertos—Naoko Yoshino, harp; Orchestra d’Auvergne, Roberto Forés Veses, conductor. Aparte, 2016.
Recording Review
Crimson
Crimson—Crimson Duo: Jaymee Haefner, harp; Matt Milewski, violin. Self-released, 2015.
Recording Review
Harp Town
Harp Town—Erin Hill, harp; Mike Nolan, pedal steel guitar and drum programming. Cleopatra Records, 2016.
Music Review
Solos and Studies
Pedals? Levers? Doesn’t matter for these new solos and studies.












