virginia-schweninger

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  • in reply to: Dyslexic students #89246

    Does anyone know about literature that I might go to for ideas and understanding of

    dyslexia so that I can incorporate this in my teaching. Thanks.

    Virginia

    in reply to: Giving a Masterclass-Please Help #89381

    Meg, I loved your program. Sounds like fun. So, tell us the sad story relative to

    Marguerite at the Spinning Wheel! Thanks

    in reply to: Bad teacher? #89221

    I can’t believe this person is teaching harp, or any instrument for that matter. The way a

    harpist holds his or her hands has EVERYTHING to do with EVERYTHING. Don’t pass go,

    don’t collect your $200, just get away and find a real teacher. With regard to the carpel

    tunnel, I have suffered with that in both hands for several years, fighting desperately the

    need for surgery. I finally gave in to it when I could no longer play. Within one month of

    surgery I was able to play a recital and while it was tough getting to that point so quickly, I

    am very thankful that I did it.

    Immediately following surgery I had several sessions with Alexander Technique teachers

    who have completely resussitated my hand position, teaching me how to relax and play

    with ease. Please get some help with your hands, shoulders, neck and sitting position in

    order to avoid any further damage to your hands. I now play better and with more pleasure

    than ever. Good luck!

    in reply to: Was this professional? #89277

    Joanne:

    I’m so sorry for what happened to you and your daughter. No one knows what’s going on

    in the mind of that teacher, but she is obviously immature and unprofessional.

    Unfortunately, with many teachers, it’s all about THEM, not the student.

    But the damage was done and your daughter lost an important person in her life. I would

    put those teaching materials (which are now only negative clutter) away where she can’t

    see them or throw them away. They will only remind your daughter, every time she glances

    on them, of the loss she has suffered.

    I recently began teaching in another state after never having wanted to make time for

    students. In L.A. my work as a harpist was “too demanding” to make time for students

    (shame on me). In my new home I found

    in reply to: Was this professional? #89278

    Teachers and parents take note (religious or not);

    Wishing ?to encourage her young son’s progress on the piano, a ?mother ?took the ?boy to

    a Paderewski concert. ?After they were seated, ?the ?mother ?spotted ?an old friend in the

    audience and walked down the aisle ?to greet ?her. Seizing the opportunity to explore the

    wonders of the ?concert ?hall, the little boy rose and eventually explored his way ?through

    a ?door marked “NO ADMITTANCE.” ?When the house lights dimmed ?and ?the ?concert was

    about to begin, the mother returned to her seat ?and ?discovered ?that the child was

    missing.

    Suddenly, ?the curtains parted and spotlights focused on the ?impressive ?Steinway ?on

    stage. ?In horror, the mother saw her little ?boy ?sitting at ?the ?keyboard, innocently

    picking out “Twinkle, Twinkle Little Star.” ?At ?that ?moment, the great piano master made

    his entrance, quickly moved ?to ?the ?piano, and whispered in the boy’s ear, “Don’t quit.

    Keep ?playing.”

    Then ?leaning over, Paderewski reached down with his left hand and ?began ?filling ?in a

    bass part.

    Soon his ?right arm reached around to the other side of the ?child, ?and ?he added ?a

    running obbligato. Together, the old master and the young ?novice ?transformed what

    could have been a frightening situation into ?a ?wonderfully ?creative experience. ?The

    audience was so mesmerized ?that ?they ?couldn’t recall what else the great master played.

    Only the ?classic ?”Twinkle, Twinkle ?Little ?Star.”

    Perhaps ?that’s the way it is with God. What we can accomplish on ?our ?own is ?hardly

    noteworthy. ?We try our best, but the results ?aren’t ?always ?gracefully flowing music. ?

    However, with the hand of the ?Master, ?our ?life’s work can truly be beautiful. Next time

    you set out ?to ?accomplish ?great feats, listen carefully. ?You may hear the voice of ?the ?

    Master, ?whispering in your ear, “Don’t quit. Keep playing.”

    May you ?feel His arms around you and know that His hands are there ?helping ?you turn

    your feeble attempts into true masterpieces. ?Remember, ?God doesn’t seem to call the

    equipped; rather, He equips ?the’called.’

    Life is ?more accurately measured by the lives you touch than by ?the ?things you acquire.

    in reply to: Dry fingers vs. solid sound #89439

    Mark: Hope your practicing is going well. I just stumbled onto your original question. I
    have an interesting piece of info to contribute. If you’re practicing a lot, you may find this
    “holistic” approach helpful. 30+ years ago I found myself playing with a stage band at
    NBC. We rehearsed our brains out and my fingers were really getting sore. The bass player
    told me to go out and get some Tincture of Myrrh (right out of the Bible) from my
    pharmacist. You can now order it at health food stores, etc. Just put a few drops on your
    finger tips and rub it around bit till it’s dry. Your fingers will feel no different to you, but
    will not blister or even get sore!!! I’ve used the same bottle for many years and pull it out
    when I have a lengthy gig to play. It has never failed me. I wouldn’t use hand lotion for fear
    of ruining my strings. Good luck. Virginia

Viewing 6 posts - 16 through 21 (of 21 total)