eliza-morrison

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Viewing 15 posts - 181 through 195 (of 225 total)
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  • in reply to: Stringing a Daphne in a lighter guage #71355
    eliza-morrison
    Participant

    Jerry, I have a 1912 Lyon and Healy style 21 (which is rather small, smaller than my L&H 17). In 2006 it was re-built by Howard Bryan and re-strung with light-gauge strings (lever gut). It feels very easy on the hands, but there is still a lot of sound, and it is a beautiful, beautiful sounding harp! For bass wires, I contacted Vermont Strings, and they made me a set of “Erard Gothic” wires. They took some getting used to—but they, too, have a good, big sound.

    in reply to: Minimum Temperature for Playing Outside #70239
    eliza-morrison
    Participant

    I really don’t play outside at all anymore. Even if the temperature is not a problem, there are always issues—-uneven ground, wind (even the slightest breeze can be a problem), hard to hear, etc. It’s just too much misery.
    Of course, you never know—I played a wedding reception in January years ago, in an historic little stone church which turned out to be unheated. It never occured to me to ask whether the building would have heat!
    As far as heaters go, I agree with Carl–you don’t want hot air being blasted at any part of your harp.

    in reply to: Help — My Harp Just Exploded! #71197
    eliza-morrison
    Participant

    Can you fit your hand into the gap where the body separated from the board? Do you see/feel screws in there?

    in reply to: Help — My Harp Just Exploded! #71195
    eliza-morrison
    Participant

    Carolyn, how horrible. That is really grim—and bizarre, as well. 13 year old harps shouldn’t spontaneously split apart!
    Sounds like L&H owes you a new board. Please let us know how they respond!

    in reply to: Salzedo Rhumba-new edition #147435
    eliza-morrison
    Participant

    This tripped me up during a recent gig with harp ensemble. I was playing from the older edition; everyone else, newer one. Fortunately I caught the discrepancy during rehearsal and fixed it before the performance!

    in reply to: other musical influences #147421
    eliza-morrison
    Participant

    I agree, Adam! His early stuff was lovely…and I remember he used a harp in his ever-popular “Your Song” to good effect.

    in reply to: Pedal Harp Hire or Loan in New York #147443
    eliza-morrison
    Participant

    What sort of store is it? Are you looking for a harpist as well, or just a harp? Who would be playing it?

    in reply to: Carol Baum #147451
    eliza-morrison
    Participant

    I just heard this sad news from a violist friend in Boston. So sorry to hear of it. Thank you for posting.

    in reply to: other musical influences #147419
    eliza-morrison
    Participant

    Pianist Martha Argerich, for her wonderful combination of crystalline clarity with soulful passion.

    in reply to: VW Jetta SportWagen #147454
    eliza-morrison
    Participant

    Thank you so much for this helpful feedback! (Sorry about my delayed response—I haven been without convenient internet access for a while). I have a 23, so it is very good news to know that it loads easily in the SportWagen.

    in reply to: lyon and healy in NY area #71454
    eliza-morrison
    Participant

    I believe Mr. Goodman has a Swanson Empire for sale. It is listed, along with pricing and contact information, in the classified section of this website. Best of luck to you!

    in reply to: Book recommendations please – harps #146707
    eliza-morrison
    Participant

    Hi Neptune,
    you were very specific in asking for books about the harp, and I hope you won’t mind if I offer some related suggestions. Books about music that have inspired me (though not harp-specific) include “Musicophila: Tales of Music and the Brain” by Oliver Sacks and also “The Art of Practicing: A Guide to Making Music from the Heart” by Madeleine Bruser. Another gem, if you can find it, is a soulful book about the art and “Zen” of practicing called “Just Being at the Piano” by Mildred Portney Chase. Every word of it is equally applicable to the harp.

    in reply to: The Career of a Professional Harpist #144848
    eliza-morrison
    Participant

    Julietta, what a wonderful comment! It reminds me of an old

    in reply to: The Career of a Professional Harpist #144844
    eliza-morrison
    Participant

    What a wonderfully thought-provoking thread. As I reflect on my 30 years of work as a harpist, what I can offer is that it is not an easy road, but uniquely rewarding. Performing is stressful, and there is financial stress, as well. Instruments are expensive, as are private lessons, university and conservatory educations.

    in reply to: Harp in Upper East Side #71576
    eliza-morrison
    Participant

    Have you found something yet, Sara? I do have harps available for rent, but am located a couple of hours from NYC.

Viewing 15 posts - 181 through 195 (of 225 total)