C Mills

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  • in reply to: taheke #148874
    C Mills
    Participant

    Hi Misty,

    I have played Taheke many times, and also recorded it.

    in reply to: Unplayable Harp Parts #146208
    C Mills
    Participant

    Sorry about all those question marks in my previous posting!

    in reply to: Unplayable Harp Parts #146207
    C Mills
    Participant

    A subject very close to my heart! Here is an extract from some workshop notes I have put together for composers:It is a
    common misconception that the harp is similar to the piano. However the
    two instruments are almost entirely different, with fundamentally different movements required to play them. The
    piano has the mechanical advantage of keys which in turn move hammers, and the
    harp is a plucked instrument. The basic movement required of the finger on the
    harp is a pulling motion ��� unlike on a keyboard instrument, where it is a
    pushing motion. With every ���pull,��� the finger must travel a greater
    distance to complete the movement than is needed on a keyboard; it is more a
    complex movement than a push, and can not be repeated as quickly.
    Remember there is no mechanical advantage between the finger and the string.Harpists use only 4 fingers of each
    hand ��� this can be thought of as 20% less dexterity available to a harpist than
    to a pianist.

    Harpists��� arms are constantly in
    varying degrees of extremity, higher and more forward than almost any other
    instrument, and working always against gravity, which places a lot of loading
    on back, shoulders, and arms. For this reason, and very importantly, rests or breaks are needed
    for both arms in long passages ��� particularly where the arms are
    extended either very low or very high in the harp.Carolyn Mills

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