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Isabelle Perrin teaches how to play "Midnight Stars," from "First Grade Pieces for Harp," by Marcel Grandjany and Jane Weidensaul.
Learn how to use pedal slides to create colors in Part 1 of this series.
Elzbieta Szmyt performs and teaches "Processional" from "Graded Recital Series Volume Two," by Susann McDonald and Linda Wood.
Sarah Bullen teaches how to play the cadenza from "Young Person's Guide to the Orchestra," by Britten to harpist Ellie Kirk.
Learn Maeve Gilchrist's technique for playing and practicing the Celtic triplet technique.
In this lesson on how to practice, expert Rachel Lee Hall explains how the "3 Times Perfectly Game" can help you practice more efficiently.
Nicole Brady teaches how to play the folk song "Good-bye to Winter," from Suzuki Harp School, Vol. 1.
Learn Gráinne's technique for playing slides in Irish traditional music.
Sarah Bullen teaches the cadenza from "Waltz of the Flowers," from "The Nutcracker" by Tchaikovsky, to harpist Catherine Litaker.
Nicole Brady teaches how to play "Little Playmates," from Suzuki Harp School, Vol. 1.
Learn Park's technique for the "triple pedal slide" to aid in playing chromatic scales.
Vienna Philharmonic principal harp Anneleen Leanarts answers questions about hand position, repertoire, teaching beginners, and lots more!
Learn Kim Robertson's exercises for strengthening one finger.
Harp technician Steve Moss answers questions about taking care of your harp, strings, and more!
Sunita Staneslow teaches how to go beyond the basics in the final installment of her arpeggio series.
In this course Judy Loman teaches Heloise Carlean-Jones how to play the "Danses," by Claude Debussy.
Sarah Bullen teaches how to play the cadenza from "Young Person's Guide to the Orchestra," by Britten to harpist Katherine Ventura.
Alice Giles teaches how to play an eight-note scale with one hand.
Maeve Gilchrist teaches the folk tune "Hospitality of Jane" from her collection "Traditional Tune Arrangements and Original Compositions for the Lever Harp, Book 1."
June Han teaches how to interpret the "meno mosso" and ending of Alphonse Hasselmans' "Petite Valse."