Browse lessons
Searching tips
Lessons appear randomly. Use the search bar and filter options to narrow your search. Close individual filters or use the "clear" button at the bottom of the filters to clear everything including search text and start over.
Learn Bridget's techniques for creating a good sound.
June Han teaches how to play the quintuplet section from Maurice Ravel's "Introduction and Allegro," beginning six bars before Reh. 5.
Deborah Henson-Conant teaches how to build the 1-5-10 chord for improvisation.
Isabelle Perrin teaches how to play "Gigue" from Petite Suite Classique, by Marcel Grandjany.
Isabelle Perrin shows how breathing and phrasing shape Marcel Grandjany's "Nocturne," from "Trois Pieces Faciles."
Lynne Aspnes teaches how to prepare "Balulalow" from "A Ceremony of Carols," by Benjamin Britten.
Isabelle Perrin teaches how to play scales.
June Han teaches how to play the meno mosso section from "Serenade Melancolique," from Feuilles d'Automne by Alphonse Hasselmans.
Learn how to practice moving quickly between keys on a pedal harp.
Learn the values of rests in 4/4 time.
In this course Judy Loman teaches Heloise Carlean-Jones how to play the "Danses," by Claude Debussy.
Learn how to practice open and closed chord voicings and move quickly from one chord to the next.
In this lesson Amanda Whiting shows how to take your knowledge of modes and soundscapes to build the basic "blues" chord progression.
In this lesson master teacher Lynne Aspnes teaches how to prepare "Procession" from Benjamin Britten's "A Ceremony of Carols" for harp and choir.
Sarah Bullen teaches the cadenza from "Tzigane," by Maurice Ravel, to harpist Catherine Litaker.
Learn why to use a metronome, along with Deborah's "penny method" for practicing with the metronome.
Jaymee Haefner teaches how to play multiple fingers.
Elzbieta Szmyt performs and teaches "Processional" from "Graded Recital Series Volume Two," by Susann McDonald and Linda Wood.
Jaymee Haefner teaches the technique for playing with a flat left hand, also known as "etoufée."
Judy Loman answers questions about technique, repertoire, Carlos Salzedo, and more!