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Indiana University harp professor Elzbieta Szmyt answers questions about practicing, playing scales, repertoire suggestions, and more.
In this course Judy Loman teaches Helen Gerhold how to play "The Moldau," by Smetana/Trneček.
Sarah Bullen teaches the cadenza from "Tzigane," by Maurice Ravel," to harpist Katherine Ventura.
Sarah Bullen teaches how to play the cadenza from "Swan Lake," by Tchaikovsky to harpist Jordan Thomas.
Maria Luisa Rayan teaches different ways to come off the strings for a good sound.
Learn June's rhythm exercises for practicing the arpeggios at the end of "Chanson de Mai," by Alphonse Hasselmans.
Isabelle Perrin teaches how to build a great hand position.
Elzbieta Szmyt performs and teaches "Russian Lullaby" from "Graded Recital Series Volume Three," by Susann McDonald and Linda Wood.
Jaymee Haefner teaches how to play a two-handed trill.
Lynne Aspnes teaches how to prepare "There Is No Rose," from "A Ceremony of Carols" by Benjamin Britten.
Learn how to play Kim Robertson's version of the traditional Irish Air "Forget Not the Angels."
In this tutorial Cindy shows how to use the melody to create a dramatic ending.
Maria Luisa Rayan teaches how to play the rhythms found in the Argentinean tango.
Learn how to take the focus off yourself In Part 1 of Rhett's series on how to conquer nerves.
Lynne Aspnes teaches how to muffle at the harp.
Tristan Le Govic performs and teaches the traditional Breton tune "Toutouig."
Learn Maeve's technique for practicing four-note arpeggios.
Maeve Gilchrist teaches how to amp up your practice routine by developing your own creative practice techniques.
Tristan Le Govic performs and teaches the traditional Breton march " Y a bien longtemps que nous marchons."
Use Park's pedal technique to break the chromatic scale down into two whole tone scales for improvisation.