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Maria Luisa Rayan teaches how to develop "roundness" for a good playing foundation and sound.
Deborah Henson-Conant teaches how to add cookie cutter chords and patterns to improvise with the 1-5-10 chord. (Watch parts 1 and 2 in this series to learn how to build and use the 1-5-10 chord.)
Isabelle Perrin teaches how to play "Rouet," from "Trois Petites Pieces Faciles," by Alphonse Hasselmans.
Learn to play Maeve Gilchrist's original composition "Catriona's Jig."
Lynne Aspnes teaches how to play "The Merry Brook," by Frances G. Miller.
Members of the Dallas Harp Quartet perform and discuss Variations on a Theme in Ancient Style, by Carlos Salzedo.
Bridget Kibbey teaches how to build a relaxed and steady hand position for creating facility and sound.
Nicole Brady teaches how to play "Allegro" from Suzuki Harp School, Vol. 1.
In this lesson on how to practice, expert Rachel Lee Hall explains why the metronome is an essential practice tool.
Cindy shows how to use chord voicings and moods to create introductions for her music "Lullaby" and "Carillon Wave."
Learn the basic structure of the 12-bar blues, along with left hand patterns for improvising.
Learn more of Maeve Gilchrist's finger strengthening and hand coordination exercises.
Nicole Brady teaches how to set up and play left- and right-hand harmonics.
Deborah Henson-Conant teaches how to end "Baroque Flamenco" with a flourish!
Learn to play "Summertime" from Gershwin's Porgy and Bess, part 2
In this lesson Amanda Whiting shows explains the ii-V-I chord progression and how it is used in jazz.
Members of the Dallas Harp Quartet perform and discuss Concerto for Flute, Harp, and Orchestra, K. 299 by W. A. Mozart.
Maeve Gilchrist teaches how to amp up your practice routine by developing your own creative practice techniques.
Learn how to use key signatures to find major and minor intervals.
In this tutorial Cindy shows how to use improvisation in your arrangements.