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Kim Robertson teaches how to create left-hand "drones" to embellish your own arrangements.
Members of the Dallas Harp Quartet perform and discuss Impromptu, Op. 86, by Gabriel Fauré.
Lynne Aspnes discusses the iconic harp and choir work "A Ceremony of Carols," by Benjamin Britten.
Members of the Dallas Harp Quartet perform and discuss Sonata for Harp by Paul Hindemith.
Sarah Bullen performs the cadenza from "Young Person's Guide to the Orchestra," by Benjamin Britten.
USA International Harp Competition winner Katherine Siochi gives advice on preparing for auditions, staying motivated, and more.
Elzbieta Szmyt performs and teaches "Processional" from "Graded Recital Series Volume Two," by Susann McDonald and Linda Wood.
Lynne Aspnes teaches how to prepare "Spring Carol" from "A Ceremony of Carols," by Benjamin Britten.
Gráinne Hambly answers questions about playing by ear, learning Irish tunes, and more!
Review note values and counting in 6/8.
HCA master teacher Amanda Whiting answers questions about learning to play jazz, playing evenly, shoes for the harp, and more!
In this lesson on how to practice, expert Rachel Lee Hall explains how to polish a piece with perfection in mind.
Learn how to play Kim Robertson's "wonder thumb" left-hand technique. This technique works well with drones.
June Han teaches how to play chords, using the opening of Claude Debussy's Danse "Sacrée."
Alice Giles teaches how to play Carlos Salzedo's classic "Seguidilla," from "Suite of 8 Dances."
June Han teaches how to play the cadenza from Maurice Ravel's "Introduction and Allegro." (Part 2 focuses on the second page.)
In this lesson on how to practice, expert Rachel Lee Hall delves deeper into the "Boot Camp" method of slow and loud practice.
Elzbieta Szmyt performs and teaches "Concert Etude" from "Graded Recital Series Volume One," by Susann McDonald and Linda Wood.
June Han teaches how to place 8-note arpeggios using Etude #20 from "Studi di Media Difficultá," by Ettore Pozzoli.
Sarah Bullen teaches the cadenza from "Waltz of the Flowers," from "The Nutcracker" by Tchaikovsky, to harpist Katherine Ventura.