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Alice Giles teaches the ergonomics of how and why to raise.
Kim Robertson teaches how to create left-hand "drones" to embellish your own arrangements.
Nicole Brady teaches a young student the motion for opening and closing fingers into the hand.
Elzbieta Szmyt performs and teaches "Two Guitars" from Graded Recital Series Volume Four by Susann McDonald and Linda Wood Rollo.
Isabelle Perrin teaches how to align yourself properly at a pedal harp to avoid back problems later on.
Judy Loman teaches Heloise Carlean-Jones how to play the "Danses," by Claude Debussy.
Members of the Dallas Harp Quartet perform and discuss Fantaisie, by Marcel Grandjany.
Alice Giles teaches how to strengthen hands and fingers to play fast.
Learn how to practice open and closed chord voicings and move quickly from one chord to the next.
Go beyond major and minor to build diminished and augmented triads, the building blocks for 7th chords.
Learn how to add the "flat 9" to a dominant 7th chord.
Deborah Henson-Conant teaches how to build the 1-5-10 chord for improvisation.
In this lesson Amanda Whiting shows how to take your knowledge of modes and soundscapes to build the basic "blues" chord progression.
In this lesson on how to practice, expert Rachel Lee Hall shows how to put purpose into your practice to achieve results.
Nicole Brady teaches how to improve tone production at the harp.
In this lesson Jaymee discusses how to make a plan to focus on what you want to work on.
Alice Giles teaches how to play slowly and fill the space between notes.
Nicole Brady teaches how to play "Rustic Dance" from Suzuki Harp School, Vol. 2.
Elzbieta Szmyt performs and teaches "Concert Etude" from "Graded Recital Series Volume One," by Susann McDonald and Linda Wood.
June Han teaches how to play the final section of "Esquisse," from "Feuillets d'Album," by Henriette Renié.