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Nicole Brady teaches how to play "Petite Etude" by V. V. Rogers from Suzuki Harp School, Vol. 2.
Lynne Aspnes discusses the iconic harp and choir work "A Ceremony of Carols," by Benjamin Britten.
Sunita Staneslow shows how to use arpeggios with the added 9th to embellish the classic Irish melody "Bridget Cruise."
Jaymee Haefner shows how to use the "Performer's Triangle" to evaluate your playing and become a more confident performer.
Learn what the 4/4 and 6/8 time signatures mean.
Nicole Brady teaches how to strengthen crossunders and crossovers for smooth and clean scales.
Sarah Bullen teaches how to play the cadenza from "Swan Lake," by Tchaikovsky to harpist Ellie Kirk.
Isabelle Perrin teaches how to create contrast by building a "ladder" of dynamics.
June Han teaches how to play the cadenza from Maurice Ravel's "Introduction and Allegro." (Part 1 focuses on the first page.)
Members of the Dallas Harp Quartet perform and discuss Variations on a Theme in Ancient Style, by Carlos Salzedo.
Learn how to use key signatures to find major and minor intervals.
Maria Luisa Rayan teaches how to play the music of Bach.
The Philadelphia Orchestra principal harpist Elizabeth Hainen answers questions about auditioning, editing excerpts, sound projection, and more!
Members of the Dallas Harp Quartet perform and discuss Danses Sacrée and Profane, by Claude Debussy.
In this lesson Lynne Aspnes teaches to play "Moonlight" from Graded Recital Series, Vol. 1, by Susann McDonald.
Learn how to count in 4/4 time.
In this lesson June Han teaches about the importance of directional placing.
In this lesson master teacher Lynne Aspnes teaches how to prepare "Procession" from Benjamin Britten's "A Ceremony of Carols" for harp and choir.
In this lesson Kim Robertson teaches how to play her arrangement of the folk tune "Breton Lullaby."
Practice playing major triads and their inversions around the circle of fifths. (You'll need to know major key signatures to enjoy this lesson.)