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How to play Marcel Grandjany's "Little Waltz," taught by master teacher Isabelle Perrin.
Learn how to play the "cut," one of the most basic Irish ornaments.
Deborah Henson-Conant teaches how to create an introduction to "Baroque Flamenco" not found in the printed music.
Sunita Staneslow teaches how to go beyond the basics in the final installment of her arpeggio series.
Cindy shows how to use chord voicings and moods to create introductions for her music "Lullaby" and "Carillon Wave."
Jaymee Haefner teaches how to play crossovers, an important skill for playing scales on the harp.
Elzbieta Szmyt performs and teaches "Concert Etude" from "Graded Recital Series Volume One," by Susann McDonald and Linda Wood.
Isabelle Perrin teaches how to play hand-over-hand arpeggios.
Members of the Dallas Harp Quartet perform and discuss Danses Sacrée and Profane, by Claude Debussy.
Lynne Aspnes teaches how to play "The Merry Brook," by Frances G. Miller.
Learn to play rolled chords with Lynne Aspnes.
Nicole Brady teaches how to strengthen crossunders and crossovers for smooth and clean scales.
Learn to play the traditional Irish jig Cúil Aodha
Learn the basic structure of the 12-bar blues, along with left hand patterns for improvising.
Jaymee Haefner shows how what you do off the practice bench can help you on the practice bench.
In this lesson Kim Robertson teaches how to create etudes based on her "musical sandwich" technique.
Sarah Bullen teaches the cadenza from "Tzigane," by Maurice Ravel, to harpist Jordan Thomas.
Lynne Aspnes teaches how to prepare "Balulalow" from "A Ceremony of Carols," by Benjamin Britten.
Maria Luisa Rayan teaches how to close and play thumbs to get the best sound.
Members of the Dallas Harp Quartet perform and discuss Danses Sacrée and Profane, by Claude Debussy.