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Learn two of June's exercises for practicing one-hand arpeggios.
Members of the Dallas Harp Quartet perform and discuss First Arabesque, by Claude Debussy.
Isabelle Perrin teaches about the importance of breathing while you play.
Bridget Kibbey teaches how to create phrasing through Bach's "Largo" from Harpsichord concerto in F Minor.
Jaymee Haefner shows how what you do off the practice bench can help you on the practice bench.
Deborah Henson-Conant teaches how to end "Baroque Flamenco" with a flourish!
Nicole Brady teaches how to play even arpeggios and turn-arounds.
Maria Luisa Rayan teaches how to play the music of Bach.
Understand how to play a hornpipe rhythm.
Maria Luisa Rayan teaches different ways to come off the strings for a good sound.
Maria Luisa Rayan teaches how to play the rhythms found in the Argentinean tango.
As an expert in Harp Column Academy’s Inside the Practice Room studio and principal harpist of the Dallas Symphony Orchestra, Emily Levin knows what it takes to get to the top!
Learn to play a basic chromatic scale on the pedal harp.
Learn how to play "There Stands a Little Man," from "Fun from the First, Vol. 1" arranged by Samuel Milligan.
Kim Robertson teaches how to play Learn to play her arrangement of the traditional 7th century sacred hymn "Verbum Supernum Prodiens."
Sunita Staneslow teaches how and why to place fingers onto a group of strings at the same time.
The Philadelphia Orchestra principal harpist Elizabeth Hainen answers questions about auditioning, editing excerpts, sound projection, and more!
Kim Robertson teaches how to strengthen multiple fingers on the harp.
Isabelle Perrin teaches how to play "A Moorish Garden," from The Magic Road, by Nancy Gustavson.
Learn how to play hand-over-hand arpeggios with Lynne Aspnes.