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In this lesson on how to practice, expert Rachel Lee Hall delves deeper into the "Boot Camp" method of slow and loud practice.
Members of the Dallas Harp Quartet perform and discuss Concerto for Flute, Harp, and Orchestra, K. 299 by W. A. Mozart.
As an expert in Harp Column Academy’s Inside the Practice Room studio and principal harpist of the Dallas Symphony Orchestra, Emily Levin knows what it takes to get to the top!
Judy Loman answers questions about technique, repertoire, Carlos Salzedo, and more!
Learn basic note values in 4/4 time.
Alice Giles teaches how to play "Berceuse de Noel," by Betty Paret.
In Part 2 of her introduction to playing by ear, Gráinne teaches how to add the left hand to the Irish tune NÃl na Lá.
Learn how the Circle of Fifths relates to the whole tone scale. (Note: to enjoy this video, you'll need to understand the concepts explained in Park's three-part Chromatic Scales series.)
Learn the values of rests in 4/4 time.
Learn June Hans' technique for playing descending slides with the thumb.
Learn Maeve Gilchrist's technique for playing and practicing the Celtic triplet technique.
Lynne Aspnes teaches how to play "The Merry Brook," by Frances G. Miller.
Deborah Henson-Conant teaches how to end "Baroque Flamenco" with a flourish!
Sarah Bullen teaches how to play the cadenza from "Young Person's Guide to the Orchestra," by Britten to harpist Jordan Thomas.
Nicole Brady teaches the folk song "Lightly Row" from Suzuki Harp School, Vol. 1.
Sunita Staneslow shows how to use arpeggios with the added 9th to embellish the classic Irish melody "Bridget Cruise."
Alice Giles teaches the ergonomics of how and why to raise.
Maeve Gilchrist teaches the folk tune "Hospitality of Jane" from her collection "Traditional Tune Arrangements and Original Compositions for the Lever Harp, Book 1."
In this tutorial Cindy shows how to create a sense of rest or completion at the end of your arrangements.
Learn more left-hand patterns along with alternate harmonization techniques.