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Learn Kim Robertson's exercises for strengthening one finger.
Maeve Gilchrist teaches how to amp up your practice routine by developing your own creative practice techniques.
Learn how to play Kim Robertson's "heartbeat rhythm" for improvisation.
Sunita Staneslow teaches how to take your arpeggios to the next level by creating phrases.
Learn to play Maeve Gilchrist's original composition "Catriona's Jig."
Bridget Kibbey teaches how to create phrasing through Bach's "Largo" from Harpsichord concerto in F Minor.
In this course Judy Loman teaches Abigail Kent how to play the "Fugue" by J.S. Bach, transcribed by Marcel Grandjany.
Jaymee Haefner teaches one of the most fundamental harp techniques: how to close your fingers.
Isabelle Perrin shows how breathing and phrasing shape Marcel Grandjany's "Nocturne," from "Trois Pieces Faciles."
Members of the Dallas Harp Quartet perform and discuss Sonata for Harp by Paul Hindemith.
Tristan Le Govic performs and teaches the traditional Breton danse " Tri c’hemener" ("The Three Tailors").
Learn how to pick music appropriate for worship services.
Lynne Aspnes teaches how to trill.
Listen to June's performance of "Chanson de Mai," by Alphonse Hasselmans, plus her tutorial on the opening section and middle "agitato" section.
In this lesson Lynne Aspnes teaches how to sit at the harp for ergonomic playing.
Learn how to practice moving quickly between keys on a pedal harp.
Elzbieta Szmyt performs and teaches "Two Guitars" from Graded Recital Series Volume Four by Susann McDonald and Linda Wood Rollo.
Sunita Staneslow teaches how to quickly and easily move levers up and down on a lever harp.
June Han teaches how to play the cadenza from Maurice Ravel's "Introduction and Allegro." (Part 1 focuses on the first page.)
Lynne Aspnes teaches how to play Prelude Intimes 1, "Tenderly Emoted," by Carlos Salzedo.