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Learn Maeve Gilchrist's ostinato exercises for improvisation.
Lynne Aspnes teaches how to play "Spanish Dance" from the opera "Carmen," by George Bizet, arranged by Sam Milligan.
In this course Judy Loman teaches Helen Gerhold how to play "The Moldau," by Smetana/Trneček.
Indiana University harp professor Elzbieta Szmyt answers questions about practicing, playing scales, repertoire suggestions, and more.
Jaymee Haefner shows how to break your music into small sections for more efficient practice.
Learn Maria Luisa Rayan's tips for articulation.
Deborah Henson-Conant teaches how to start improvising using the 1-5-10 chord. (Watch Part 1 of this series to learn how to build the 1-5-10 chord.)
Learn to play rolled chords with Lynne Aspnes.
Learn more of Maeve Gilchrist's finger strengthening and hand coordination exercises.
Learn Kim Robertson's technique for adding chord vamps.
Sunita Staneslow teaches how to play Rhett Barnwell's arrangement of "Arioso," by J. S. Bach.
Members of the Dallas Harp Quartet perform and discuss the Andante-Allegro (mvt. 1) from Concerto in B-flat by G.F. Handel.
Sunita Staneslow teaches how to play her arrangement of the traditional Israeli folk melody "Mi Yitnani Of."
Jaymee Haefner teaches how to play "A Moorish Garden," from "The Magic Road," by Nancy Gustavson.
Jaymee Haefner teaches one of the most fundamental harp techniques: how to close your fingers.
Jaymee Haefner teaches how to play crossunders, an important skill for playing scales on the harp.
Learn how to create effective ornaments for improvisation and embellishment.
Learn the order of sharps and flats to help identify key signatures.
Isabelle Perrin teaches about the importance of breathing while you play.
Sarah Bullen teaches how to play the cadenza from "Swan Lake," by Tchaikovsky to harpist Katherine Ventura.