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Learn to play "Summertime" from Gershwin's Porgy and Bess, part 2
Deborah Henson-Conant teaches how to build the 1-5-10 chord for improvisation.
Learn to play "Magyar Lament" from "The Magic Road," by Nancy Gustavson.
Nicole Brady teaches basic fundamentals for how to sit properly at the harp.
Tristan Le Govic performs and teaches the traditional Breton air "An hini a garan" ("The One I Love").
Isabelle Perrin teaches how to play "Grand'Mère Raconte une Histoire," by Henriette Renié.
June Han teaches how to warm up using musical context from pieces like Mozart's Concerto for flute and harp, Ravel's Introduction and Allegro, and Debussy's Danses.
Deborah Henson-Conant teaches how to start improvising using the 1-5-10 chord. (Watch Part 1 of this series to learn how to build the 1-5-10 chord.)
Kim Robertson teaches how to strengthen multiple fingers on the harp.
Isabelle Perrin teaches the standard fingering for playing different intervals on the harp.
Sarah Bullen performs and teaches four harpists how to play the cadenza from "Swan Lake, by Tchaikovsky.
Members of the Dallas Harp Quartet perform and discuss Concerto for Flute, Harp, and Orchestra, K. 299 by W. A. Mozart.
Sunita Staneslow teaches how to improvise over a descending bass line for therapeutic playing, or beyond.
Jaymee Haefner teaches the basic technique for muffling with two hands.
In this course Judy Loman teaches Abigail Kent how to play the "Fugue" by J.S. Bach, transcribed by Marcel Grandjany.
As an expert in Harp Column Academy’s Inside the Practice Room studio and principal harpist of the Dallas Symphony Orchestra, Emily Levin knows what it takes to get to the top!
Elzbieta Szmyt performs and teaches "Russian Lullaby" from "Graded Recital Series Volume Three," by Susann McDonald and Linda Wood.
Sunita Staneslow teaches how to play basic arpeggios.
Learn Bridget's techniques for creating a good sound.