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Learn note values in 6/8.
Bridget Kibbey teaches how to build a relaxed and steady hand position for creating facility and sound.
Members of the Dallas Harp Quartet perform and discuss the Andante-Allegro (mvt. 1) from Concerto in B-flat by G.F. Handel.
Members of the Dallas Harp Quartet perform and discuss Variations on a Theme in Ancient Style, by Carlos Salzedo.
In this lesson Amanda Whiting shows how make the basic chords found in C Major jazzier by adding the 7th.
Members of the Dallas Harp Quartet perform and discuss the Andante-Allegro (mvt. 1) from Concerto in B-flat by G.F. Handel.
Learn how to add the minor ii chord.
Learn Gráinne's technique for playing slides in Irish traditional music.
Alice Giles teaches how to play "Berceuse de Noel," by Betty Paret.
Learn how to build a root position major triad plus first and second inversions in the key of C Major.
Learn Bridget's techniques for creating a good sound.
Maria Luisa Rayan teaches how to develop "roundness" for a good playing foundation and sound.
Learn how to take the focus off yourself In Part 1 of Rhett's series on how to conquer nerves.
Deborah Henson-Conant teaches how to build the 1-5-10 chord for improvisation.
Isabelle Perrin shows how breathing and phrasing shape Marcel Grandjany's "Nocturne," from "Trois Pieces Faciles."
Learn how to play Kim Robertson's version of the traditional Irish Air "Forget Not the Angels."
Members of the Dallas Harp Quartet perform and discuss Impromptu, Op. 86, by Gabriel Fauré.
Isabelle Perrin teaches the standard fingering for playing different intervals on the harp.
Learn the order of sharps and flats to help identify key signatures.
Sarah Bullen teaches how to play the cadenza from "Swan Lake," by Tchaikovsky to harpist Katherine Ventura.