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Baroque Flamenco—part 3

What you’ll learn

Deborah Henson-Conant teaches how to play the tapping effects found in the cadenza section of "Baroque Flamenco."
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Baroque Flamenco (Solo)

more about this lesson

teacher:

Deborah Henson-Conant

Topics: Musicality, Cadenzas, Chords, Phrasing, Music theory, Effects, Soundboard tapping

Level 3

More in this series

Free!

Deborah Henson-Conant teaches how to create an introduction to "Baroque Flamenco" not found in the printed music.
Learn the strumming technique Deborah Henson-Conant uses in "Baroque Flamenco" and other pieces.
Deborah Henson-Conant teaches how to end "Baroque Flamenco" with a flourish!
Learn the story behind Deborah Henson-Conant's original composition "Baroque Flamenco." Visit DHC's Harp Column Academy studio for more videos on how to play this piece!

More from this teacher

Learn why to use a metronome, along with Deborah's "penny method" for practicing with the metronome.

Deborah Henson-Conant teaches how to build the 1-5-10 chord for improvisation.

Deborah Henson-Conant teaches how to start improvising using the 1-5-10 chord. (Watch Part 1 of this series to learn how to build the 1-5-10 chord.)

Deborah Henson-Conant teaches how to add cookie cutter chords and patterns to improvise with the 1-5-10 chord. (Watch parts 1 and 2 in this series to learn how to build and use the 1-5-10 chord.)

Free!

Deborah Henson-Conant teaches how to create an introduction to "Baroque Flamenco" not found in the printed music.