{"id":177234,"date":"2024-11-21T00:01:33","date_gmt":"2024-11-21T05:01:33","guid":{"rendered":"https:\/\/harpcolumn.com\/music\/?post_type=product&#038;p=177234"},"modified":"2025-02-28T08:28:27","modified_gmt":"2025-02-28T13:28:27","slug":"the-eveningbell","status":"publish","type":"product","link":"https:\/\/harpcolumn.com\/music\/all-music\/artists\/rainer-templin\/the-eveningbell\/","title":{"rendered":"The Eveningbell"},"content":{"rendered":"<h3>Note from the arranger<\/h3>\n<p>The story of &#8220;The Eveningbell&#8221;<\/p>\n<p>Felix Mendelssohn Bartholdy was a guest at the &#8216;Villa Roselawn&#8217; in November 1829. His host was Thomas Attwood, a paternal friend, composer, and organist, who had five sons and a harp-playing daughter. On the day of his return journey to London, Attwood had invited a large party and Mendelssohn was improvising on the harp with Attwood\u2019s daughter to entertain them when the gate bell suddenly rang. It was the coachman who had come to fetch Mendelssohn. However, he was not impressed by the ringing and would not stop playing. The coachman therefore repeatedly rang the bell, which sounded on A, with increasing intensity until Mendelssohn finally stopped playing and travelled home with him to London. Once back there, he wrote the duo \u201cThe Eveningbell\u201d that very evening and sent it to Attwood the next day as a gift of thanks. The gate bell of the Villa Roselawn, which is actually tuned to B is immortalized in the composition on the note A in the harp part.<\/p>\n","protected":false},"excerpt":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-177234-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/harpcolumn.com\/music\/wp-content\/uploads\/sites\/2\/2024\/11\/The-Eveningbell.mp3?_=1\" \/><a href=\"https:\/\/harpcolumn.com\/music\/wp-content\/uploads\/sites\/2\/2024\/11\/The-Eveningbell.mp3\">https:\/\/harpcolumn.com\/music\/wp-content\/uploads\/sites\/2\/2024\/11\/The-Eveningbell.mp3<\/a><\/audio>\n<p>Rainer Templin has arranged &#8220;The Eveningbell&#8221; by Felix Mendelssohn for pedal harp and piano. Scroll down for the story behind this piece.<\/p>\n<p>This piece is available as a PDF download for <strong>$17.00.<\/strong><br \/>\n(Includes score and both parts in one PDF.)<\/p>\n<p><em>Pages to print:<\/em> score and parts file is 16 pgs.<\/p>\n<p><em>Duration:\u00a0<\/em>3:15<\/p>\n<p><em>Note:<\/em>\u00a0This piece is formatted for A4 paper size; use the settings in your printer dialog box to get the best fit for your paper size.<\/p>\n<p><i><span style=\"font-weight: 400\">Note:<\/span><\/i><span style=\"font-weight: 400\"> This PDF was revised on 2-28-2025. If you purchased this piece prior to that and would like an updated PDF, please <a href=\"mailto:info@harpcolumn.com\">email us.<\/a><\/span><\/p>\n","protected":false},"featured_media":177235,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false},"product_brand":[],"product_cat":[899],"product_tag":[481],"class_list":["post-177234","product","type-product","status-publish","has-post-thumbnail","product_cat-rainer-templin","product_tag-harp-and-others","pa_artist-templin-rainer","pa_composer-mendelssohn-felix","pa_genre-classical","pa_harp-type-harp-pedals","pa_instrumentation-harp-and-piano","pa_level-advanced","pa_nationality-german","pa_occasion-church","pa_occasion-wedding","first","instock","downloadable","taxable","shipping-taxable","purchasable","product-type-simple"],"exclude_global_add_ons":[],"addons":[],"_links":{"self":[{"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/product\/177234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/comments?post=177234"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/media\/177235"}],"wp:attachment":[{"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/media?parent=177234"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/product_brand?post=177234"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/product_cat?post=177234"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/harpcolumn.com\/music\/wp-json\/wp\/v2\/product_tag?post=177234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}