Thank you, Krieg, for that link. I may have read that a while ago. It confirms my suspicion about pianist’s chords. A shame more don’t hear the early recordings, to know the real style left behind. I heard them on the Ysaye recording of Faure’s Berceuse. After all, it was Beethoven who said that the piano must develop its own voice, one apart from the harp; implying that they were one and the same until his midlife. While interpretive gestures may have seemed distasteful for a century or so, I hear music that is just wrong without a real shmear in the violin. The fanaticism for cleanliness and cold perfection is deadly, dulling, and personality killing. I just wish I had full-time access to recording like Gould did.