Remy van Kesteren, harp; Harmonia Mundi, 2013.
5 harps

The guy’s got it all—the looks, the chops, and the groove. Even his Twitter profile proudly tells us that real men play harp. He’s the winner of the 2013 International Harp Competition, Dutch musician and storyteller Remy van Kesteren, a player as comfortable with the gentle feminine touch of a pianissimo as he is adding arabesques to the stylings of Naturally 7 or performing for hundreds of thousands as part of the BBC Night at the Proms.
Much has been written about this outstanding musician, but for me my “wow” moment came as I opened up his debut disc—with the most straight-forward and oh-so-right name Remy.—placed it in the player and turned up the volume. From the first notes I melted. An arrangement of the orchestral work, The Moldau by Bedrich Smetana, is an evocative homage to a river that begins like a legend, as two springs cold and hot that finally find each other growing to a massive force. In Remy’s hands, the piece is altogether new, playful, robust, and dancing, while all the while truly a story in music.

Thanks for visiting Harp Column! This content requires a current subscription.
Log In or Subscribe Now



About Author

Alison Young is a classical music host and producer at Minnesota Public Radio/American Public Media. She left a successful career as a flutist a decade ago after she developed a neurological disorder, but before then enjoyed many years traveling the world giving recitals, performing concertos, playing with some of the finest orchestras, and recording her own discs. Nowadays, Young spins discs and is always on the lookout for the next best thing. You can contact her at

1 Comment

  1. Pingback: Worthy of Another Listen | Harp Column

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.