{"id":239344,"date":"2025-06-01T08:00:00","date_gmt":"2025-06-01T12:00:00","guid":{"rendered":"https:\/\/harpcolumn.com\/academy\/?p=239344"},"modified":"2025-06-03T15:44:25","modified_gmt":"2025-06-03T19:44:25","slug":"featured-lessons-for-june-2025","status":"publish","type":"post","link":"https:\/\/harpcolumn.com\/academy\/featured-lessons-for-june-2025\/","title":{"rendered":"Featured lessons for June 2025"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Playing loudly<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taught by Alice Giles<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this lesson, Alice Giles teaches how to play with a louder sound. &#8220;I always say that these four fingers we play with are like four cat&#8217;s paws that land surely and with weight,&#8221; says Giles.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full free-badge-blog\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/playing-loudly\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2018\/11\/Playing-Loudly.png\" alt=\"\" class=\"wp-image-224375\" srcset=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2018\/11\/Playing-Loudly.png 1280w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2018\/11\/Playing-Loudly-980x551.png 980w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2018\/11\/Playing-Loudly-480x270.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/playing-loudly\/\">Watch now<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-alpha-channel-opacity has-background is-style-wide\" style=\"background-color:#e7e7e7;color:#e7e7e7\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Processional<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taught by Isabelle Perrin<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Isabelle Perrin teaches how to play &#8220;Processional,&#8221; from <em>Graded Recital Pieces, Vol. 2<\/em>, by Linda Wood. She explains, &#8220;We don&#8217;t practice glisses enough. We think it&#8217;s so easy to just slide your finger up and another one down, so we think it&#8217;s not something we have to practice. But actually it is.&#8221;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/processional\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Processional.png\" alt=\"\" class=\"wp-image-224831\" srcset=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Processional.png 1280w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Processional-980x551.png 980w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Processional-480x270.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/processional\/\">Watch now<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-alpha-channel-opacity has-background is-style-wide\" style=\"background-color:#e7e7e7;color:#e7e7e7\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Sound production through Bach\u2014Largo<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taught by Bridget Kibbey<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bridget Kibbey teaches how to create phrasing through Bach&#8217;s &#8220;Largo&#8221; from <em>Harpsichord Concerto in F Minor<\/em>. &#8220;It&#8217;s really important to lean the finger into the string with different gradations of press,&#8221; says Kibbey.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/sound-production-through-bach-largo\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Sound-Production-Through-Bach-Largo.png\" alt=\"\" class=\"wp-image-224751\" srcset=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Sound-Production-Through-Bach-Largo.png 1280w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Sound-Production-Through-Bach-Largo-980x551.png 980w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Sound-Production-Through-Bach-Largo-480x270.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/sound-production-through-bach-largo\/\">Watch now<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-alpha-channel-opacity has-background is-style-wide\" style=\"background-color:#e7e7e7;color:#e7e7e7\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Discussing financial compensation<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taught by Rhett Barnwell<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Learn strategies for discussing financial compensation with churches and wedding clients. Barnwell explains, &#8220;If you are a professional player and primarily earn your living from playing the harp, you deserve to be compensated for your service.&#8221;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/discussing-financial-compensation\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Discussing-Financial-Compensation.png\" alt=\"\" class=\"wp-image-224939\" srcset=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Discussing-Financial-Compensation.png 1280w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Discussing-Financial-Compensation-980x551.png 980w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2020\/05\/Discussing-Financial-Compensation-480x270.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/discussing-financial-compensation\/\">Watch now<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-alpha-channel-opacity has-background is-style-wide\" style=\"background-color:#e7e7e7;color:#e7e7e7\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Creating endings\u2014part 1<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taught by Cindy Horstman<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this tutorial, Horstman shows how to create a sense of rest or completion at the end of your arrangements. &#8220;There are many ways to approach an ending, and they can have a different effect on the listener depending on what you play.&#8221;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/creating-endings-part-1\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2021\/04\/Horstman_Thumb_9.png\" alt=\"\" class=\"wp-image-233227\" srcset=\"https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2021\/04\/Horstman_Thumb_9.png 1280w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2021\/04\/Horstman_Thumb_9-980x551.png 980w, https:\/\/harpcolumn.com\/academy\/wp-content\/uploads\/sites\/3\/2021\/04\/Horstman_Thumb_9-480x270.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/harpcolumn.com\/academy\/lesson\/creating-endings-part-1\/\">Watch now<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-alpha-channel-opacity has-background is-style-wide\" style=\"background-color:#e7e7e7;color:#e7e7e7\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Get creative this summer with Harp Column Academy!<\/p>\n","protected":false},"author":16966,"featured_media":239349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","pmpro_default_level":"","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1177],"tags":[],"teacher":[],"instructor":[],"class_list":["post-239344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-lessons","pmpro-has-access"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - 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